TCF Ep. 287 - In Conversation 3
The Candid Frame: Conversations on Photography
Ibarionex R. Perello
4.8 • 768 Ratings
🗓️ 18 August 2015
⏱️ 56 minutes
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Summary
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| 0:00.0 | The Candid Frame is supported by donations by listeners just like you. |
| 0:05.7 | Help support the show by clicking on the donate button on the website or in the show notes. |
| 0:17.6 | A few weeks ago, a friend and fellow podcaster Bill Wadman emailed me, and he wrote, |
| 0:22.6 | Hey, have you ever done an episode where someone interviews you about what you've distilled from talking to hundreds of photographers over the years? |
| 0:30.6 | And I responded, not really. Are you offering? So here we are. We managed to find some time in our schedules to sit |
| 0:40.4 | down for about an hour. And this time, he asked me the questions, which is always a strange thing. |
| 0:48.2 | Now, for those of you who don't know Bill Waldman, he is a professional portrait photographer |
| 0:52.4 | out of New York City, who I interviewed for the show back in episode 116. He is a professional portrait photographer out of New York City, who I interviewed for the show back in episode 116. |
| 0:57.5 | He is also the co-host of the podcast On Taking Pictures, which he produces each week with another friend of this show, Jeffrey Sodoris. |
| 1:06.4 | Now, if you aren't already a listener to their show, I highly recommend it. |
| 1:11.3 | If you're a fan of TCF, I'm pretty sure you'll want to subscribe to their show as well. |
| 1:17.3 | So I hope that you enjoy the tables being reversed on me yet again. |
| 1:21.5 | We'll be back next week with more conversations with great photographers. |
| 1:35.3 | You started this. |
| 1:36.2 | I did some reading. |
| 1:37.3 | You started this. |
| 1:40.8 | You felt like there was no, you started the candid frame because you felt like there was no real voice of non-gear-related stuff out there in the podcast |
| 1:46.5 | world. Is that a fair assessment? Yeah. I mean, at least the ones that I was listening to, |
| 1:52.1 | they were all about equipment, about lenses and cameras and, you know, rumors. And because I was just up to my ears with that stuff at the magazine, |
| 2:03.1 | I just wanted something different because I worked eight hours at that office writing about |
| 2:08.4 | all that stuff. And I didn't want to spend, you know, my hour, hour and a half commute one way |
| 2:15.0 | being spent listening to more the same. So I was, you know, |
... |
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