No, no, no, I love dogs, but no, I just walk them. Oh, okay. But he has a dog. Oh. Who's gorgeous. Dogs love me. They come up to me. Oh, that's great. Yeah. Dogs have a good sense of people, personalities. I like to, I like, when I see a dog, I like to try to communicate telepathically with it and let it know that I'm okay.

How do you do that?

Well, in my head, I just say, like, you know, you're a good boy and I'm a good boy.

What?

You say, I'm a good boy?

Yeah, well, I am. I'm a good boy.

Yeah, but why do you need to tell the dog that?

Because I want the dog to believe that I'm a good boy, too.

We're both good boys. We're going to get along, you know?

On this episode of the commercial break.

It fit really quickly.

And I think that was another interesting thing because, you know, Eastbound was really centered around Danny's character and Vice Principals was a two-hander with him in Walton Gagons.

And this all of a sudden is their take on an ensemble show.

And they did kind of prove that they could move up.

I don't know if you would call that an evolution, but it's just different style.

And they took on that ensemble style.

And they gave everyone, this was key, they gave everyone ownership over their parts.

Yeah.

And they trusted everyone.

Like, I'm not going to come in and change everything.

But if the syntax feels weird in my mouth, they're like, change it.

Say it how you think the character would say it, you know?

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