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Just click the link in the show description to Terrify. Good evening, Children of the Night.

I'm Stephen Kilpatrick, your host, for the evening.

Step one in from the cold, into the warm cabin.

I have to admit, this winter for the Shenandoah Valley has been quite tame overall.

It was only a few years ago the winter was so severe we might have had to cannibalize each other.

But tonight, we have sandwiches,

a bit of cider, and oh, looks like someone brought some chips. I have a thing or two to share before we

move on, but tonight we'll be hearing from Sylvia Schultz with lights out, and our main fiction

will be from Christopher Monroe. So stay tuned. Recently, I introduced Nicole Doolin as Nicolette.

I've messed up an introduction before, and I'm sure I'll do it again.

However, this one in particular I wanted to speak to in a bit more depth.

First of all, if I'm going to mess up an author's name or bio, or mess up a narrator's name

or bio, I'd rather be

the author. Why, may you ask? Narrators are not paid at all. The only benefits they receive

are the feeling of contributing to our labor of love that we call tales to terrify, and if they

so choose, exposure. Authors just get exposure. Nicole Doolin's reading

of turning on, tuning in, and dropping out at the mountains of madness by Ahimsa Kurp was a particularly

unusual one for me to jumble up because of how happy I was at the production of it. You may recall,

I mentioned. I'm not a fan of hippies.

...