4.5 • 678 Ratings
🗓️ 30 May 2025
⏱️ 46 minutes
🧾️ Download transcript
Welcome to episode 696. We have two tales for you this week: about a man on an empty highway struggling to trust his fading memory, and a woman whose skepticism is tested by her lover’s carnal faith.
COMING UP
Good Evening: 00:01:06
Derek Alan Jones’ Somewhere on US-50, Sometime in the Night as read by Drew Sebesteny: 00:02:36
Akis Linardos’ Baited by Water’s Shadow as read by Michelle Kane: 00:12:07
PERTINENT LINKS
Support us on Patreon! Spread the darkness.
Original Score by Nebulus Entertainment
SPECIAL THANKS TO
Amanda Carrillo
Lestle Baxter
Orion D. Hegre
Support this show http://supporter.acast.com/talestoterrify.
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0:00.0 | Love this podcast? |
0:01.7 | Support this show through the ACAST supporter feature. |
0:05.4 | It's up to you how much you give, and there's no regular commitment. |
0:09.1 | Just click the link in the show description to support now. |
0:44.3 | Thank you. From the blackest corners of your mind, they call, pulling you deep into shadow, twisting your senses, keeping you from sleep. |
0:48.3 | It's time to face your darkest fears. |
1:22.7 | This is Tales to Terrify. Good evening, children of the night, and welcome. |
1:30.7 | We have two stories for you this evening about a man on an empty highway struggling to trust his fading memory, |
1:36.0 | and a woman whose skepticism is tested by her lover's carnal faith. |
1:41.2 | Our first story for the evening comes from Derek Allen Jones. |
1:46.3 | Derek Allen Jones spends most of his time working in a warehouse in Kansas, |
1:49.3 | and the rest of it, writing speculative fiction. |
1:53.9 | His work has appeared in Apex, the Saturday Evening Post, |
1:57.7 | Gamut and Utopia Science Fiction, among others. |
2:02.0 | Find it all at derichrick allenjones.com. |
2:04.5 | Children of the night, |
2:07.8 | join me for Derek Allen Jones's Somewhere on US50, sometime in the night. |
2:11.8 | A Tales to Terrify Original. |
2:16.2 | Music No. ... He left $4.00 on the table, and he paused as he reached the door, |
2:53.9 | letting the light wash over him for just a moment longer, before stepping out into the night. |
3:00.6 | Back on the road, he watched the white lines, just to have a point of focus, |
3:05.6 | as the wipers beat out a lopsided rhythm that the drumming |
... |
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