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One by Willie

T Bone Burnett on "I Just Can't Let You Say Goodbye"

One by Willie

John Spong

Willie Nelson, Music, Music History, Music Commentary, Guitar, Spong, Music Interviews, Society & Culture, Austin, Texas Monthly, Country Music, Arts, Americana, Songwriting, Outlaw Country

4.6898 Ratings

🗓️ 9 March 2021

⏱️ 26 minutes

🧾️ Download transcript

Summary

Acclaimed producer T Bone Burnett (Counting Crows’ August And Everything After; the Oh Brother, Where Art Thou? soundtrack; dozens of others) discusses one of the darkest songs Willie ever wrote: the early-60s murder ballad “I Just Can’t Let You Say Goodbye.” The song debuted on Willie’s 1966 album Live at Panther Hall in Fort Worth, Texas, and T Bone talks about being in the audience that night—because of course he was; he’s T Bone Burnett—along with what it was like to produce Willie himself (2010’s Country Music), and why he calls Willie a holy man.

Transcript

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0:00.0

Texas Monthly.

0:10.6

Hey there, I'm John Spong with Texas Monthly magazine, and this is One by Willie,

0:15.9

a podcast in which I talk each week to one notable Willie Nelson fan about one Willie

0:20.8

song that they really love.

0:22.6

This week, we talked to one of Fort Worth, Texas's favorite sons, T-Bone Burnett.

0:28.0

He's the legendary producer behind Counting Crow's 1993 debut album August and Everything After,

0:34.5

the acclaimed O Brother Were Art Thou soundtrack from 2000,

0:38.7

Alison Krause and Robert Plant's 2007 album, Raising Sand, and of course Willie's 2010 album,

0:46.0

Country Music. T-Bone's going to take us to what may be the darkest corner of Willie's

0:50.5

songwriting catalog, his early 60s murder ballad, I just can't let you say goodbye.

0:56.0

The song first appeared on Willie's 1966 album, Live Country Music Concert at Panther Hall Ballroom

1:02.1

in Fort Worth, Texas, a record that has long been something of a holy grail for hardcore Willie

1:06.9

nerds. And what do you know, it turns out that a 17-year-old T-Bone Burnett was actually in the

1:11.8

audience the night that was recorded. Teabon will talk about that show, about Willie's years in Fort Worth

1:17.5

and their influence on his music and why he thinks of Willie as a true holy man. Let's do it.

1:25.0

The flesh around your throat is pale.

1:34.8

And did it by my fingernail.

1:41.6

What's so great about I just Can't Let You Say Goodbye?

1:45.1

Well, you know, sometimes you write songs for dramatic effect.

1:49.5

You know, it's not always the songwriter writing about his own life.

1:55.2

And I've always been drawn to those dark songs.

1:59.8

I love those dangerous kind of songs. And

...

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