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0:00.0 | Funds for Bookworm are provided in part by Lannin Foundation. |
0:07.0 | You are a human animal. You are a very special breed. |
0:16.0 | Or you are the only animal. Who can think, who can reason, who can read. |
0:23.7 | Hello and welcome to Bookworm. |
0:26.0 | Today my guest is Susan Minut. |
0:28.2 | She's the author most recently of Evening. |
0:32.0 | Her other books are monkeys, lust and other stories, and folly. |
0:37.0 | And she has come to speak to me here at the Los Angeles Times Book Fair, where we're |
0:44.1 | recording on site. |
0:45.4 | So we're dealing with the circumambient sound, not of the studio and not of the purity. |
0:52.5 | We're used to on Bookworm. |
0:54.1 | Susan, welcome. |
0:55.4 | I wanted to begin by asking you the quality of Shiascuro and memory wants that goes throughout |
1:09.3 | this novel evening is rather remarkable and stylistically it seems |
1:13.9 | to have been, at least to my eye, immensely difficult to achieve. I wonder how it evolved |
1:20.9 | that style. Well, like, the process the book took about five years to write, though it was interrupted in the middle. |
1:31.7 | I was doing some movie work. |
1:36.2 | And it started out, you know, every book has its own evolution. |
1:41.1 | It started out actually as a novella that was focusing on the relationship |
1:45.6 | of the protagonist with her nurse as she's dying. And it was originally titled Report from Nurse |
1:53.0 | Brown. What remains of that bit of the novella is about, I think, three pages out of the whole, yeah, out of the whole book. |
2:05.7 | Because what happened is I started to become more interested in, I was interested in the relationship that went on between this woman as she's dying and maybe this last relationship she forms, |
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