Hi everybody we have got a slightly unusual episode coming for you today which happened a little bit just on the fly

with that being fair way to put it I think that would be very fair so last week Louise was in London because she was delivering a painting for an exhibition.

So it was a long way to come down from Yorkshire and back up again.

So I said, come and stay for the night.

She survived a night in our

luxurious spare bedroom. How was that? That was fantastic actually. It was like a

camp bed, a little camp bed. I don't even know what it was made of and it was the comfiest bed.

It was wonderful.

Well, we were here all in one place and we just thought it would be quite fun just to record the conversation just like what we were discussing really so we came up to have a look at the studio, my old studio in my house, and then we went off to have a look at the new studio.

So the sound quality is just us on a phone.

There is going to be a short video clip of this on YouTube and if you come

over to the show notes there are lots of links there are kind of technical kit that we talk about in there we will

put all of those links in the show notes and we will all I will also put there'll be

more photographs on the blog posts about it on both of our website.

So if you want to see what we're talking about, you can do that at Louise Fletcher

art.com and Alice Sheridan.com and look in the podcast section for episode 60.

But before we get into that, just tell us a little bit about what was this piece that you were delivering.

So it was a black and white piece on paper the show is a watercolor exhibition but anything on paper

created with water-based media was eligible and I somebody was asking me why did you choose this painting to submit?

And I realized the true answer is that I was a little bit uncomfortable about it.

It was a bit vulnerable for me.

It got a very good reaction from everyone who saw it, but it still felt

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