From KCRW and KCRW.com, I'm Kim Masters, and this is The Business.

From now on, I'm going to make films that are experimenting with the way you make films,

because it just seems that there are so many rules about what you can and can't do,

but all you're doing is getting people into a room, turning off the lights,

and asking

them to look at a screen.

Stephen Knight's new film, Locke, takes place entirely in a car, with one character driving

through the night as his life disintegrates through a series of phone calls.

It's the latest in Knight's eclectic career, which includes co-creating the game show,

Who Wants to Be a Millionaire?

Then we meet the artist whose career got a boost when her paintings were hung in Roger Sterling's Office on Mad Men.

But first on the Hollywood news banter, Aereo gets its day in the high court and Amazon buys the Sopranos.

Stick around, it's the business from KCRW.

I am joined by my fellow banterer, John Horn, the Los Angeles Times.

Hello, John.

Hello, Kim.

So, John, the Federal Communications Commission has made a lot of noise this past week

by saying they would propose new rules that would allow

companies to pay extra for high-speed internet. This goes to the gigantic issue of net neutrality.

How level is the playing field? Can everybody have equal access to the internet if your tiny

little startup in somebody's garage or a great big comcast?

Or can you come up with money and go faster?

...