Steve McQueen - 'Widows'
Awards Chatter
Scott Feinberg
4.7 • 1.6K Ratings
🗓️ 12 November 2018
⏱️ 63 minutes
🧾️ Download transcript
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| 0:00.0 | Hi everyone and thank you for tuning in to the Podcast Network. The others being It Happened in Hollywood, on which Seth Abravich and Chip |
| 0:25.3 | Pope take deep dives into major pop culture moments in Hollywood history, and behind the screen, featuring |
| 0:31.5 | Carolyn G. Ardina's conversations with the artists who work behind the scenes on awards |
| 0:35.7 | contenders. Be sure you're subscribed to all three today. My guest today is Steve McQueen, |
| 0:41.9 | a British artist and filmmaker best known as the director and producer |
| 0:45.4 | of the 2013 film 12 Years a Slave, for which he was nominated for the Best Director Oscar |
| 0:50.5 | and became the first black winner of the best picture Oscar. He also co-wrote |
| 0:54.8 | and directed the 2008 film Hunger and the 2011 film Shame, both of which, like |
| 1:00.4 | 12 years of slave, starred his close friend and collaborator Michael Fastbender. |
| 1:04.8 | Most recently, he co-wrote and directed an elevated heist thriller called Widows, |
| 1:09.4 | featuring an all-star ensemble cast led by Oscar winner, Viola Davis. It premiered at the Toronto |
| 1:14.4 | International Film Festival back in September and it will open across America on |
| 1:18.5 | Friday. Over the course of our conversation at the four seasons in Beverly Hills |
| 1:22.3 | the 49-year year old and I discussed |
| 1:24.4 | his humble upbringing and discovery of the arts, his early work as a maker of experimental short films, |
| 1:30.1 | and his transition into narrative feature-length filmmaking, his close |
| 1:34.0 | close relationship with Fast Bender and their three films together |
| 1:37.0 | and what since 12 years of slaves big Oscar Knight |
| 1:40.0 | has transpired both in the film industry with two seasons of Oscar So White |
| 1:44.8 | followed by Moonlight's Big Win and in his own life leading him to Widows a film with a |
| 1:49.7 | far bigger budget at 40 million dollars and far more action sequences, all very impressive, than anything |
| 1:56.4 | he had ever done before. |
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