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The New Yorker Radio Hour

Steve Martin and Jerry Seinfeld, and Yo-Yo Ma and Emanuel Ax

The New Yorker Radio Hour

WNYC Studios and The New Yorker

Politics, Arts, News, Wnyc, Books, David, Storytelling, Society & Culture, Yorker, New, Remnick

4.26.2K Ratings

🗓️ 17 November 2020

⏱️ 40 minutes

🧾️ Download transcript

Summary

Between the two of them, Jerry Seinfeld and Steve Martin have nearly a century of experience in the delicate art of telling jokes. In a conversation with Susan Morrison during the 2020 New Yorker Festival, they discussed their long careers, learning how to adjust to new cultural forces, and the process of aging. Plus, Yo-Yo Ma and Emanuel Ax perform a piece of music that they have both been playing for more than forty years: Beethoven’s Cello Sonata No. 3 in A Major. “This is such open, hopeful music,” Ax said. Yet Beethoven signed one manuscript of the music, “amid tears and sorrow.” “I thought this was a good piece for this moment,” Ma told The New Yorker’s music critic Alex Ross. “Because people are suffering, and we do think that music can give comfort.”

Transcript

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0:00.0

This is The New Yorker Radio Hour, a co-production of WNYC Studios and The New Yorker.

0:10.3

This is the New Yorker Radio Hour. I'm David Remnick. At the New Yorker Festival last month, Jerry

0:15.8

Seinfeld and Steve Martin joined the New Yorker Susan Morrison, and they talked about the art of creating

0:22.1

those little explosive devices that we call jokes.

0:26.9

Now, I know that both of you feel very strongly about the technique and the craft of writing

0:33.5

jokes.

0:34.5

And I'd love to hear you describe each of you the process, your process for coming up with a bit,

0:40.4

shaping it, refining it. You know, how long does the whole thing take? And how does it start?

0:47.5

Well, that's an easy question. That's so easy. I'll let you go first.

0:51.7

The thing I like about writing comedy or any kind of writing is there's no rhyme or reason

0:57.1

to it.

0:58.7

Nobody knows how to do it.

1:02.0

Nobody has figured out anything.

1:05.1

So everyone's free to do it.

1:07.7

And I kind of like that complete chaos of the process of, especially jokes.

1:15.3

I was talking to somebody today and the guy said, quick question. And I just said, what is a quick

1:21.8

question? Why is it any different from any other question? Is it going to be less words? Does it mean my answer is short?

1:29.2

It's just one of these annoying little things that people say.

1:32.6

So I will write something like that down and see if it annoys other people the way it annoys me

1:39.2

by talking about it in front of an audience.

1:42.3

And if it does annoy them, I'll just play with it.

1:45.8

I found that performing live, it's just an ongoing exercise with a line. You trim it, you make it

...

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