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Bookworm

Steve Erickson: Our Ecstatic Days

Bookworm

KCRW

Arts

4.5606 Ratings

🗓️ 14 April 2005

⏱️ 29 minutes

🧾️ Download transcript

Summary

We explore the hallucinatory intensity of Steve Erickson's visionary novel born out of the anxiety provoked by the imagined loss of a child....

Transcript

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0:00.0

Funds for Bookworm are provided in part by Lannin Foundation.

0:06.9

You are a human animal.

0:11.0

You are a very special breed.

0:14.8

Or you are the only animal.

0:18.1

Who can think, who can reason, who can read.

0:22.3

From KCRW Santa Monica, I'm Michael Silverblatt, and this is Bookworm.

0:27.0

Today I'm happy to have as my guest, Steve Erickson.

0:30.8

His most recent novel is Our Ecstatic Days.

0:34.3

It's published by Simon & Schuster.

0:36.4

He is the author as well of several other novels,

0:41.6

beginning with Days Between Stations, Rubicon Beach, Tours of the Black Clock, Arctex, Amesiascope,

0:50.6

The Sea Came in at Midnight. Two of his earlier novels, Days Between Stations, and Tours of the Black Clock have been republished in paperback by Simon and Schuster.

1:02.2

Now, whereas some novels are addressed to the head and some novels are addressed to the heart and emotions.

1:14.2

I think that Steve Erickson's novels are addressed to the unconscious and to our dreaming state.

1:22.7

And in order to have us respond from these depths, he's invented all kinds of writing techniques that help

1:37.6

displace the so-called intelligent mind to move into the realm of intuition first and then a kind of

1:51.2

deep, unconscious area. What are some of the ways in which these books move the reader into that strange and largely unexplored place?

2:08.4

Well, I think, Michael, that a lot of it comes out of the way I write the books.

2:16.4

I don't know that I consciously set out to write unconscious dream-like books, although I agree with that characterization, and I think most people do.

2:32.1

These are sort of the books that, for whatever reason reason come naturally to me. And I don't,

2:37.5

you know, I'm always careful, at least in the early writing, not to overthink it too much. I will

2:46.9

start with a situation or an image in my head. In the case of the new novel, you've got a single mother who's living in Los Angeles in the early 20th century.

...

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