Going Native, Part I
Drugs, violence and cartoons--in the novel by Stephen Wright that Bookworm nominates as the best of this season.
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0:00.0 | You are a human animal. |
0:07.6 | You are a very special breed. |
0:11.6 | Or you are the only animal. |
0:15.2 | Who can think, who can reason, who can read. |
0:19.3 | Hi, this is Michael Silverblad, and welcome to Bookworm. |
0:22.8 | My guest today is Stephen Wright, the author, most recently of Going Native from |
0:27.0 | Faris Strauss and Cheru. |
0:28.6 | He's the author as well of M31, a family romance, and his first novel was Meditations |
0:35.1 | in Green, a novel of Vietnam. |
0:39.3 | Now, going native starts out, to my mind, very pleasurably, |
0:46.3 | that there's a certain kind of writing that reminds me of a childhood thing that I kind of love. |
0:53.3 | There was a magazine called Highlights Magazine, |
0:56.0 | and every month in that magazine, you'd be asked to look at this picture and find things hidden in the picture, |
1:03.0 | you know, concealed among the striations of a tree bark would be a hen, you'd circle the things you'd found and so too in |
1:14.6 | this book you one notices that the um the wife's name is roe and um and before long i believe we hear |
1:26.1 | about things from acme and the hero's name is Wiley, |
1:29.9 | and we think Roe, Roadrunner, Wiley Coyote, Tom and Jerry come over, |
1:35.5 | and a whole neighborhood of Looney Tunes starts to swarm in the understructure of the prose. |
1:45.6 | And there is a feeling that the prose is being used as a filter |
1:50.9 | between the reader and whatever actual activity is occurring on the page. |
1:57.0 | There's a network of grid and camouflage going on. |
2:03.2 | I thought I'd start this second part of the interview |
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