This podcast was produced during the 2023 WGA and SAG After Strikes without the labor of the writers and actors currently on strike.

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So I saw Oppenheimer on Tuesday in IMAX.

And I don't know if you saw this or not, but just like I want to say like a week ago or a week before that Christopher Nolan was being interviewed.

And the person interviewing him asked him, would you ever be interested in making a Star Wars film?

And he declined to answer it and it brought a lot of speculation because he didn't just say no, right? Like he didn't say, it's not for me.

He just declined to answer it. And so people were like, oh my gosh, he must have signed some sort of NDA, which means he has to decline comment and stuff.

But I did want.

Absolutely not.

I just think he probably wants to talk about Oppenheimer and not Star Wars when he's promoting his film.

For sure.

But it did make me think after seeing that movie and then thinking about that interview, what would a Christopher Nolan Star Wars movie look like?

Like would he, would he make the movie Crinnick?

And it's just like how Crinnick built the Death Star?

I mean, that's essentially the same plot.

Yeah, that's just Oppenheimer.

Yeah, I mean, that would work for sure.

I don't know, it would all be practical effects, you know, 100% of the way pretty much.

It'd be interesting to see how he pulled that off and what kind of wild set pieces he created to practically represent the Kyber crystals exploding and all that kind of stuff.

Or I mean, I could see him going the other route, like some of his films, like Inception, Interstellar, Tenet, to a degree.

Very, very tough, weird concepts, right?

So like, even with what we're talking about today on the episode as we do the last three episodes of season four of Star Wars Rebels,

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