From KCRW Santa Monica and KCRW.com, it's The Treatment.

Welcome to The Treatment. I'm Elvis Mitchell. I'm sitting across on somebody I've known

from another lifetime, from another from another century has since become a

really interesting filmmaker going back to films such as The Last Supper, I left the devil wear

black, and her new film as director, although I happen to love hood of horror, by the way, too.

I'm glad you love that. Yeah, I do. I'm a black guy. Her new film as a desk director is the bye-bye man. I'm sitting with

director of Stacey Tyler. First of all, thanks so much for doing the show. Oh, thank you for having

me. It's so great to see you in the flesh, I must say. It's great to be in the flesh and see you in the

flesh, too. It's really spectacular. Oh, it's great to see you. And it's so funny because we were talking a little bit before we got started here. And one of the things you've done, which I didn't make a chance to mention it now, is that being inside, being inside four walls does things to people.

It makes people crazy in your movies.

Just being inside the place that should be relatively safe.

Okay.

And every one of your movies that's happened when somebody's been kind of undone by the

safety of being in a house almost.

Yeah, no, that the house, that the house is not, you know, you can't be, the world is a

terrible place.

And when you're out in it, living off campus, terrible things can happen to you because your

parents let you go out to these, these places.

And it's not so safe.

But that's... I mean, to connect it to...

Well, last supper, I hadn't thought about doing that, but that's smart.

Yeah, well, thank you.

...