Summary
Frances Johnson (Clear Cut Press)
Using the model of the "nurse romances" of the 1950's, Stacey Levine has concocted a small-town romance--with a difference. The undercurrents of sexuality, repression and gender uncertainty rise to create flood tides. We discuss the nightmarish emissions from the unconscious that rock this seemingly placid novel.
Transcript
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| 0:00.0 | Funds for Bookworm are provided in part by Lannin Foundation. |
| 0:07.0 | You are a human animal. |
| 0:11.3 | You are a very special breed. |
| 0:15.0 | Or you are the only animal. |
| 0:18.4 | Who can think, who can reason, who can read. |
| 0:22.3 | From KCRW, Santa Monica, I'm Michael Silverblatt, and this is Bookworm. |
| 0:27.1 | Today I'm happy to have as my guest, Daisy Levine, who's the author most recently of a novel |
| 0:33.0 | called Francis Johnson. |
| 0:34.6 | It's published by a subscription press, and we'll be talking about what |
| 0:39.3 | that is, Clearcut Press. She's the author of two previous books. The first was My Horse and |
| 0:45.4 | Other Stories, which was published by Sun and Moon, and a novel called Dra-D-R-A-D-R-A-D-R-A-D-Sh, also from Sun and Moon. |
| 1:00.0 | Now, I think that to the extent that there is a new American writing, |
| 1:06.0 | and I think there is, it's one that takes the idea of the American dream, |
| 1:10.2 | not as a goal, but as something we have to wake up from. |
| 1:19.0 | And this writing describes the delusional systems of the dream, as if actual. It describes American life as a kind of dream scape. |
| 1:22.9 | I would include in this New American writing, |
| 1:29.0 | the work of Brian Evanson, of Lynn Tillman, |
| 1:31.9 | and my guest, Stacey Levine. |
| 1:36.5 | Now, because the work is so dreamlike itself, |
| 1:45.0 | I think people don't understand, perhaps, |
| 1:48.5 | that the attempt is to figure out what's real. |
| 1:53.7 | These narrators seem to be on some kind of quest for the real, |
... |
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