Summary
Thomas Tallis's work is one of the most elaborate and spectacular pieces of choral music ever written.
Scored for 40 voices, the piece is best sung and heard in the round in order to appreciate an extraordinary sonic experience.
Choral conductor Simon Halsey and Michael Morpurgo discuss the music's spine-tingling effect on both performers and listeners.
Featuring:
Graeme Fife John Davies Clive Stafford-Smith
Series about pieces of music with a powerful emotional impact.
Producers: Rosie Boulton & Melvin Rickarby
First broadcast on BBC Radio 4 in January 2008.
Transcript
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| 0:00.0 | Before you listen to this BBC podcast, I'd like to quickly tell you about some others. |
| 0:05.1 | My name's Andy Martin and I'm the editor of a team of podcast producers at the BBC in Northern Ireland. |
| 0:11.3 | It's a job I really love because we get to tell the stories that really matter to people here, |
| 0:16.2 | but which also resonate and apply to listeners around the world. |
| 0:19.6 | And because the team is such a diverse range of skills and strengths, |
| 0:23.0 | we have trained journalists, people who love digging through archives, |
| 0:26.6 | we've got drama and even comedy experts. |
| 0:28.9 | We really can do those stories justice. |
| 0:31.5 | So if you like this podcast, head to BBC Sounds |
| 0:34.2 | where you'll find plenty more fascinating stories from all around the UK. |
| 0:39.3 | You're listening to a download of soul music from BBC Radio 4. |
| 0:44.4 | My name is Graham Fife. I used to sing when I was living in Norfolk in the University of East |
| 0:49.8 | Anglia Choir and I joined the Oldborough Festival Singers. So the deal was that we'd meet at |
| 0:56.9 | Blythebra Church in the Suffolk countryside. It's a magical place. There's Heathland, marshland. |
| 1:03.9 | It's quite stark. The sky is very, very big and Blytheborough almost standing there on its own, you know, reaches up into that |
| 1:12.7 | great firmament. I'm choking up, just remembering what it was like. We stood there with our |
| 1:18.8 | scores round the font. So we stood in a great big circle. And there is that moment of silence, total silence. |
| 1:28.3 | And when that first voice came in, it really was like an enchantment. |
| 1:34.3 | Stayed in a liu, you are the aback now It is like a dawn of the bird's |
| 1:47.0 | It is like a dawn, first ray of light coming, |
| 1:55.0 | even the first twittering of the birds in the stillness. |
| 2:16.1 | There are certain bits of music that tug on heartstrings, |
... |
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