4.4 • 785 Ratings
🗓️ 26 June 2019
⏱️ 27 minutes
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0:00.0 | This is Spectator Radio, the Spectator's curated podcast collection. |
0:10.3 | Hello and welcome to the Spectator's books podcast. |
0:13.2 | I'm Sam Leith, the literary editor of The Spectator. |
0:15.5 | This week, my guest is Benjamin Dreher, who is the copy chief. |
0:19.2 | If I may, dryer. |
0:20.7 | Dyer. He is a man who corrects things. Here we go. Benjamin Dreher, who is the copy chief. If I may, Dreyer. Dreyer. |
0:21.9 | He is a man who corrects things. |
0:23.4 | Here we go. |
0:24.3 | Benjamin Dreyer. |
0:25.3 | I apologize, Benjamin. |
0:27.2 | Benjamin Dreyer is the copy chief at Random House, the American Publishing Company, |
0:31.8 | and he is the author of a new book called Not Dreya's English, but Dryers English, an utterly correct |
0:39.0 | guide to clarity and style, to which we can now add pronunciation. Benjamin, what's your job? |
0:45.7 | You're a copy chief, a copy editor. What's the difference between that, say, an editor or a |
0:50.0 | proofreader? Well, as a copy chief, I supervise a fairly large department of people called |
0:57.3 | production editors, and production editors are the people who hire copy editors and proofreaders. |
1:02.4 | Copy editors are the people who, after an author has spent, who knows how many years writing a |
1:08.9 | manuscript and then given it to their editor, |
1:12.1 | and the editor and the author have gone back and forth and back and forth on it for who knows |
1:15.7 | how many drafts, and ultimately decided that the book is everything it is supposed to be insofar |
1:20.8 | as pace and plotline and characterization and all those very big ticket items that they need to |
1:27.2 | attend to. It's then given over to my department that they need to attend to. |
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