4.8 • 686 Ratings
🗓️ 6 November 2024
⏱️ 49 minutes
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0:00.0 | Hold your ears, folks. It's showtime. |
0:08.6 | People pay good money to see this movie. |
0:10.9 | When they go out to a theater, they want cold sodas, hot popcorn, and no monsters in the projection booth. |
0:17.3 | Everyone pretend podcasting isn't boring. |
0:20.0 | Shut it off. |
0:41.7 | Hey, folks. Welcome to a special episode of the projection booth. |
0:42.7 | I'm your host, Mike White. |
0:46.5 | On this episode, I am talking with Sam Deegan and Andrew Nettie. |
0:47.3 | What? |
0:48.8 | Those are co-hosts. |
0:50.5 | What are they doing being interviewed by me? |
0:56.9 | Well, I'll tell you, they are the co-editors of the new film Revolution and 35 millimeter, political violence and resistance in cinema from the art house to the grindhouse, |
1:02.4 | 1960 to 1990. This book is in my sweet spot. There are so many movies surrounding 1969, May 68, just the late 60s turmoil, |
1:16.2 | early 70s turmoil, obviously turmoil all the way from 1960 to 1990. I do have to say that I have |
1:24.7 | an essay in this book, so take that with a grain of salt, though I don't |
1:29.1 | talk about it too much in this interview. |
1:31.5 | I wrote a little bit about Peter Watkins and People Hunting People Films. |
1:35.7 | If you want to hear more about people hunting people films, well, check out our Turkey |
1:40.2 | shoot episode with Mr. Nettie that's coming out pretty darn soon, I believe in October. |
1:45.8 | And of course, Sam has been on so many episodes as well as Andrew, but this is also in Sam's sweet spot of post-World War II world cinema. |
1:55.9 | You know that Sam is quite a cinephile as well as Andrew and will recommend movies that I've never |
2:03.2 | heard of and that's pretty good. This is another book that's going to put a lot of titles on your |
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