4.8 • 686 Ratings
🗓️ 27 September 2019
⏱️ 40 minutes
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0:00.0 | You're listening to an Airwave Media podcast. |
0:04.6 | Christopher Media. Let's make some noise. |
0:07.0 | Hey, folks, welcome to a special episode of The Projection Booth. |
0:09.4 | I'm your host, Mike White. |
0:10.4 | On this episode, I'm talking to Matthew Asprey Gear, the author of Mosby Confidential, |
0:16.0 | Arthur Penn's Night Moves and the Rise of Neo-Noir. |
0:19.3 | Of course, I'm a huge fan of night moves. We did an episode |
0:22.0 | on that a few years ago. I would recommend you check that out, check out the movie, check out |
0:25.9 | Mr. Geer's book, and enjoy this interview. So Matthew Asprey Gehart, tell me a little bit about |
0:32.7 | you. I'm very curious how you decided to become a writer. I've been writing since my early 20s. |
0:38.6 | I've written a lot of fiction, and I mean, I actually consider myself sort of first and |
0:43.6 | foremost a fiction writer. |
0:44.7 | I'm mostly short stories I've published. |
0:47.0 | I have an academic background in my area is film studies, so I've just published two |
0:52.8 | books about cinema. There's a book about |
0:55.3 | Awesome Wells and now a new book about the author of Pan film Nightmaves. So I guess I'm very |
1:01.5 | interested in crime fiction. I've written some crime fiction myself. So I'm interested in the |
1:06.5 | genre. It all kind of feeds into, like the fiction I write, I guess in some ways, feeds into |
1:13.0 | the nonfiction I write. I mean, thematically anyway. So I've read a ton of books about Wells, |
1:19.1 | and I'm curious what angle do you come at him at the end of the street in the shadow? |
1:25.0 | It's a study of his body of work, kind of far beyond what you would consider |
1:29.3 | this sort of established filmography because it looks at a lot of unpublished or unmade screenplays |
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