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The Projection Booth Podcast

Special Report: Harrison Atkins on The Year Between (2022)

The Projection Booth Podcast

The Projection Booth

Film Reviews, Film Interviews, Film History, Tv & Film

4.8686 Ratings

🗓️ 8 August 2022

⏱️ 22 minutes

🧾️ Download transcript

Summary

On this special episode Mike talks with filmmaker Harrison Atkins about his work as a director and editor. Harrison recently edited Jake Wachtel's Karmalink and Alex Heller's The Year Between which is playing festivals now.

Learn more about The Year Between at https://www.theyearbetweenfilm.com/ and Harrison Atkins at https://harrisonatkins.com/

Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Transcript

Click on a timestamp to play from that location

0:00.0

Hold your ears, folks. It's showtime.

0:08.6

People pay good money to see this movie.

0:10.9

When they go out to a theater, they want cold sodas, hot popcorn, and no monsters in the projection booth.

0:17.3

Everyone pretend podcasting isn't boring.

0:20.0

Shut it off.

0:25.4

Played it off.

0:43.5

Hey folks, welcome to a special episode of The Projection Booth.

0:44.6

I'm your host, Mike White.

0:50.5

On this episode, I'm talking with filmmaker Harrison Atkins, all about some of his projects that he's been a part of over the years, including some recent editing jobs that he's done,

0:55.3

one on the film Carmelink, which we just talked with the director about that, and also one on

1:01.0

the year between. You can find out where the year between is playing. If you go to the year

1:05.4

between film.com, check that out. Check out Harrison-Etkin's site as well. And I hope you enjoy this interview.

1:12.6

What got you interested in show business? I've kind of been all in since I was like a little

1:17.8

kid. I don't remember what it was that like initially incited me to, you know, making movies

1:22.8

with other kids on my block like in the suburbs. but I remember being in fourth grade and begging my parents

1:28.3

to buy me like a consumer mini-d-v camera or maybe a hi-8 camera, and then was just making kind of

1:34.7

small short films and kind of always envisioned that I would be on a filmmaking path pretty much

1:40.6

with no backup plan. And I kind of have seen my whole life as pretty like linear

1:45.6

progression since then. I remember watching when I was a kid this TV show on HBO called 30 by

1:52.2

30 kid flicks. It was like a 30 minute show that would air sometimes where little kids like 12 year

1:58.0

olds would send in movies that they had shot and they would be on TV.

2:01.9

And I remember finding that really inspiring as a little kid and wanting to make movies like

...

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