You're listening to an Airwave Media Podcast.

Hold your ears, folks. It's showtime.

People pay good money to see this movie.

When they go out to a theater, they want cold sodas, hot popcorn, and no monsters in the projection booth.

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Andrew!

Yeah. In my life

In any other subtext, you think that he was a juvenile delinquent. Because he's from New York, he's an artist.

He told me you had just attacked somebody with a machete.

And he told me that he's never going to stop creating, no matter what.

His entire life from when he wakes up in the morning from the very first moment he opens his eyes

till the moment he closes his eyes he's thinking about ways he can challenge himself and his

cohorts into being creative.

I mean, I can't imagine making a film that wasn't anti-establishment.

I mean, you've seen it? It's not part of the establishment.

I just knew that he wrote, and I knew that he was dyslexic,

but I hadn't really considered what the two of those things meant

until after I started editing his raw work.

I diagnosed at a very young age, and it's courting who you are.

30 years ago, Ethan started a zine that became an art movement.

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