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The New Yorker: Fiction

Souvankham Thammavongsa Reads Samanta Schweblin

The New Yorker: Fiction

The New Yorker

Wnyc, New, Fiction, Books, Yorker, Arts, Literature

4.4 β€’ 3.8K Ratings

πŸ—“οΈ 1 July 2025

⏱️ 50 minutes

🧾️ Download transcript

Summary

Souvankham Thammavongsa joins Deborah Treisman to read and discuss β€œThe Size of Things,” by Samanta Schweblin (translated, from the Spanish, by Megan McDowell), which was published in The New Yorker in 2017. Thammavongsa is a Laotian Canadian writer. Her publications include the poetry collections β€œLight” and β€œCluster” and the story collection β€œHow to Pronounce Knife,” which won the Giller Prize in 2020. She has been publishing fiction and nonfiction in The New Yorker since 2021.

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Transcript

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0:00.0

This is the New Yorker fiction podcast from The New Yorker magazine.

0:10.4

I'm Deborah Trisman, fiction editor at The New Yorker.

0:13.9

Each month we invite a writer to choose a story from the magazine's archives to read and discuss.

0:19.2

This month, we're going to hear The Size of Things by

0:22.0

Samantha Shueblen, translated from the Spanish by Megan McDowell, which appeared in the

0:26.5

New Yorker in May of 2017. In the display cases, along the aisles, on the shelves, a subtly

0:34.6

shifting rainbow stretched from one end of the store to the other.

0:39.9

I still remember that site as the beginning of disaster.

0:44.3

The story was chosen by Suvankham Tamavanssa, who is the author of four poetry collections

0:49.8

and the short story collection, How to Pronounceounce Knife, which was published in 2020.

0:55.3

Hi, Savankam.

0:56.4

Hello, Deborah.

0:57.7

So when we talked about doing this podcast, you brought up this story.

1:01.9

You didn't remember the title of the story or who had written it, but you remembered the story itself very vividly.

1:08.9

And I'm wondering what it was that you were remembering was it

1:13.5

the way the story is written was it the details of the plot was it the approach to

1:18.2

storytelling I don't remember why it stood out to me just that it did. And the thing that I remember most wasn't even the language

1:33.4

or the sentences. It was the way in which I felt changed in terms of how I felt about a character

1:41.9

that I would not normally feel for.

1:46.9

And I was surprised by my own feeling for this character.

1:52.6

Right, because the central character is described in the beginning as a man who's wealthy, he's inherited a lot of money.

2:00.0

He's seen around town with various women.

...

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