Are we starting?

Are we starting?

Yeah.

I'm Adam Manus

And I'm Peter Martin

And you're listening to the Yule here at podcast

Daily Jazz Advice coming at you

That's right

And why were you just scatting?

Because that was my Charlie Parker

I'm trying to get in the mood

Bebop

Charlie Parker

Hey man, I'm trying

That's pretty interesting

I'm just trying That's pretty interesting.

I'm just trying to, you know, build it up.

It's going to sound so much better when you get into this actual, this actual says he who has quite a bit of ink on his hand right now. Bro. I'm noticing. I don't know. What's going on? I don't know, man. I got this fountain pen and it's just not, it's not working out for me.

Let me set the stage for our dear listeners.

I'm sitting across a circular desk in front of the crannock and bach across from adam manis he's playing with a

fountain pen and there's ink on in both of his hands uh there's not a lot of ink coming out of the actual pen

yet there's a big blot of ink in his hipster bullet journal what's going on man well man you know i thought i'd class it up around here and try to do something gentlemanly and get a nice fountain pen and it's um well it's messing me up p that's all right well let's get into the solo analysis because that's going to make you feel better charlie parker always makes me feel better that's right uh so i today, you know, we've done some solo analysis on Herbie Hancock. We've done Brad Meldow. We've done Keith Jarrett. We've done a lot of modern pianist. Roy Hargrove. I thought we would switch it up and go back to some classic bebop. We talked a couple weeks ago about some real bebop albums. and this is from the complete Savoy and Dial Master Takes.

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