4.9 • 686 Ratings
🗓️ 18 March 2022
⏱️ 182 minutes
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0:00.0 | everyone dies, don't they? |
0:10.5 | Isn't that so? |
0:14.4 | You tried to get into the locked drawer today, didn't you? |
0:17.7 | How do the dead comeback, mother? |
0:19.9 | What's the secrets of it? |
0:21.8 | One. |
0:23.8 | He painted trees as by some special divining instinct of their essential qualities. |
0:30.6 | He understood them. |
0:32.5 | He knew why an oak forest, for instance, |
0:34.7 | no individual was utterly distinct from its fellows, and |
0:39.0 | why no two beaches in the world were alike. |
0:43.2 | People asked him down to paint a favourite lime or silver birch, for he caught the individuality |
0:48.4 | of a tree as some catch the individuality of a horse. |
0:52.6 | How he managed it was something of a puzzle, for he had never |
0:55.8 | had painting lessons. His drawing was often wildly inaccurate, and while his perception |
1:02.1 | of a tree personality was true and vivid, his rendering of it might almost approach the |
1:07.5 | ludicrous. Yet the character and personality of that particular tree stood |
1:12.8 | there alive beneath his brush, shining, frowning, dreaming, as the case might be, friendly |
1:22.6 | or hostile, good or evil. It emerged. There was nothing else in the wide world that he could paint. |
1:33.1 | Flowers and landscapes he only muddled away into a smudge. With people, he was helpless and hopeless, |
1:39.9 | also with animals. Skies he could sometimes manage manage or effects of wind in foliage. |
1:46.3 | But as a rule, he left these all severely alone. |
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