Hey, Peter.

Yep.

Is that a...

Is that a baseline you're playing there?

Well, that's cool because I've been wanting to, I don't know, make a plan for playing bass lines.

Like a blueprint?

Yeah, like a blueprint for a jazz basis, you know?

And you're good.

You're really good.

But I wonder if we have something from, I don't know,

perhaps the greatest bass player who's ever lived?

I think we might have something.

Yeah. I'm Adam Annes.

And you're listening to the You'll Hear podcast.

Jazz.

Explain to me this, Peter.

How did we end up with our dinky little open studio getting one of the all-time greats on our roster.

Ron Carter is officially an open studio artist. He's releasing a course this week.

It is eminent and imminent and upon us. I know it's such a, it's beyond even. Well, you know what? I would say it's almost beyond like a dream come true because I don't know that we actually ever dreamed this because it kind of felt like not beyond what we could do, but just, you know, I mean, yeah, I guess we did dream it, but it was also just sort of like, you know, it's kind of like saying, like I dream that I'm going to drive a Rolls Royce one day or own one. Yeah.

When the reality is like, if I could just sit in the back of like, you know, it's kind of like saying, like, I dream that I'm going to drive a Rolls-Royce one day

or own one. When the reality is like, if I could just sit in the back of one, that would be great. But maybe we should aspire, you know, to owning a Rolls-Royce. But in this case, this is the equivalent of it. We've got the role. Having Ron Carter is the base equivalent. And it's, it's such an exciting thing and we thought today we would just

sort of talk a little bit a little behind the scenes of what it was like to be in the studio how

...