The horseman was a Hessian mercenary sent to the shores by German princes to keep Americans

under the Yoke of England. But unlike his compatriots who came for money, the horseman came

for love of podcasts. That's not that, right? No, Michael Gambon, which I was pretty off

on that one too. Way off. No offense. Michael Gambon is a very conceding, you know, he

talks in a very particular way. And I couldn't find it. Hello, everybody. My name's Griffin

Newman. I am David Sims. I'm Michael Gambon. No, yes, he's got kind of like a, that was

him. It comes from lower. It comes from, yeah, it comes from like the spleen. I feel like

I'm getting to Ian McKellinay. Sure. Indeed. No, because it's, I feel like, almost he

sound like Michael Goff in this movie. I sound a little bit like Michael Goff. He's got

a very particular voice too. He's got a very particular haircut in this one.

To Moa. Yes. I don't know how else to describe it. The most particular house at Old

Timing, right? Yes. Yeah. Because Michael Gambon, if I'm not mistaken, is Irish and he's

got, uh, they sort of twang to his accent. Yeah, it's very, it's very hard to do. Um, yeah.

This was the year that like Michael Gambon, like he had the insider a few weeks after this

with a Southern accent. Right. And it was like the first time I really noticed Michael Gambon

in a, you know, within that four week period, whereas like seeing two magnificent performances

with two very different acts. I didn't see toys. This is what you're telling theaters.

Because he's the villain. He's very good in toys. Very strange performance where he shoots

himself in the foot trying to shoot a fly that has landed on his foot. And then he shoots

himself in the foot by taking on toys. Yeah. True. Right. That one probably knocked him

back a few years. You're right. This is the emergence of Michael Gambon. This is when

he becomes a reliable character. Right. Right. Right. And a guy already a British theater

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