Welcome to the high and low podcast hosted by me, Bravo Bravo,

docking Bravo.

In this episode, we're going to delve into Salt Lake City, Reunion Part 2.

I just finished watching it, and I came here to talk to you about it.

And I got to say, I was pleasantly surprised by reunion part 2.

I wasn't expecting much because I heard Andy a clip of him on his radio show saying that part 3 really focused on Monica. She pulls out the burn book, which of course is a nod to mean girls being into another movie of some kind. So we get it, plug, drink your old team. So I thought that this part too was really just going to focus on Mary, which it does, but only for the last portion. It comes back to Monica a couple different times throughout the episode. It was good. It was riveting. It wasn't, you know, because sometimes when they give us like these three and four parters, one of them can just seem like filler or seem like did we really need to spend this much time on this?

But I thought it was a good one. I thought it was worthy of a part two. They pick up right where

the fight left off from part one. So part one, it ended with Angie and Monica going back and forth.

Last we heard Angie was screaming, like, you spend your kids money on purses, your land rover under a car port, and Monica coming for her like, don't you talk about my children? So I didn't know where it was going to jump off. But it kind of fizzled. And you just said, no one wants you here. Monica says, okay, thanks for that. And then they cut to Meredith saying, hey, I'm cold and Whitney's dying. Can we turn the heat up?

We just sort of moved on from it. And honestly, that's how we like it. We got a lot to do here. Have your interactions and then let's move on to the next thing. And Whitney would be freezing because her outfit is like, I mean, it's like the top is, if you haven't seen it, it's like it's yellow. and it's almost like if silly string was made into a top.

It's just loops, loops of cord. It's not fabric, but it's cord strategically placed to cover, you know, nudity.

And then it turns into a short yellow dress. She barely has clothes on is what I'm saying.

She needs a heater on or a blanket, a lap blanket. Like if you're going to go to the extremes of making a set that looks like a pirate wreck,

it really looks like the ending scenes from Goonies or Pirates of the Caribbean. If you're going to

do all that, crank the heat up. You can't have it be freezing with a

Bermuda Triangle pirate ship extravaganza, but then you're going to keep it freezing. They've done

the sets in the past with the snow and all that kind of stuff. Okay, fine, I can see you making it

freezing then, but if you're going to do Remuda, do it all the way. So Andy kicks it off by talking about

Monica, the drama you had this

season ongoing with your mom. Let's talk about it. And so we cut to footage of Easter at Angie's

house, the big fight where Monica ends up telling her mom to find her own ride home. Then they cut to the Mexican restaurant,

the scene that made me laugh where they say in, you know, parentheses, when I put my

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