Hello! Welcome to the 9-5 episode of Slate Money Goes to the Movies. I'm Felix Amon of Axios. I'm here with Anna Shimanski.

Hello. I am also here with Louise Rogue of Huffpost. Louise, introduce yourself.

So, my name is Louise Rogue. I am the Executive Editor for International for Huffpost. We just got

sold to Buzzfeed, which is very exciting. So, it's going to be Buzzpost, or I don't know. It's

going to be great. I'm very excited. That's why I'm here. So, you are a big marketing

in the big corner office. Not that anyone has corner offices these days. But you would, if Buzz

Post, or Hufffeed, or whatever it's going to be called, had a corner office. And we are going to

be watching 9-5, which is all about how difficult your life was, I guess, in getting to this place.

Is that right? I would say I mostly have female bosses, so it's been fairly smooth and steady.

So, we are going to watch the great 1980 movie 9-5, which I'm just going to say the great 1980

Dolly Parton vehicle 9-5, because I am the world's biggest Dolly Parton fan. We are going to judge

it. We're going to say whether we like it or not. And all of that is coming up on Slate Money

Goes to the movies.

One win per week. Restrictions and TNC's apply.

What did you think of it back then? What was this amazing world that you were seeing on the screen?

Well, I think two things. I think it was like a vision of America, an American sort of corporate

culture and office culture that I was interested in and mystified by, I think, as a Dane. And then I

think I was sort of a proto-feminist when I was like 10. And you know, I think my dad always said,

oh, well, like if women are as good as men, name me a female Beethoven or somebody like, and

like all these sort of, and like when you're a kid, you know, you can't talk about structural inequality

or things like that. But it would just like bug me so much. So I was a proto-feminist and would

argue with my dad. And I think it sort of appealed to my sense of feminism and revolution, I think,

...