Once you've wrapped up this podcast, how about trying a very British cult?

What happens if the person you trust with your future isn't what you think they are?

I did feel the whole time he was watching me Yeti.

I saw a footprint and that really gave me goosebumps.

Or people who knew me.

Emmy, I remember every secret, every lie.

I'm the only one who knows the truth.

Discover more of our biggest podcast from 2003.

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For centuries, the art establishment had been defined and dictated by the West.

Then in the early 1990s a young man born in Nigeria came onto the scene and said no more with an eye for the aesthetic and a burning

fire of political concern. Curator and educator, Oqui and Wenzo transformed the art world putting non-Western art histories on an equal footing

with the long established story of European and North American art.

He was a man with a mission, utterly confident and determined.

Amongst his achievements, he became the first African curator in the Venice Bienale's 120 year history. Speaking to us today from Ghana is

Sir David Adje, the famous architect perhaps best known for his largest project to date, the Smithsonian Institute's National

Museum of African American History and Culture, opened by President Obama in 2016.

Today, as so many generations had before, we gather on our national mall to tell an essential

part of our American store, one that has at times been overlooked.

And from the U.S. we're joined by Chika Okeke Agulu, one of the world's former scholars

of African art and professor of African and African diaspora art at Princeton

University. David you've nominated Oqui Enwezzo and he's not a distant figure from

...