4.8 • 1.2K Ratings
🗓️ 22 October 2023
⏱️ 63 minutes
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Singer-songwriter Weyes Blood is one of the most inventive musicians working today. One year ago, she released her prescient album And in the Darkness, Hearts Aglow.
On the heels of her whirlwind tour (4:00), she joins us this week to talk about her post-pandemic anthem “It’s Not Just Me, It’s Everybody” (10:04), her religious upbringing (13:22), the formative punk shows she attended as a teenager (20:17), and the influence of artists like Nico and Sonic Youth (25:18).
On the back-half, Natalie reflects on her nomadic young adulthood (31:00), how she forged her path in the music industry (33:42), the apocalyptic feelings embedded in her album Titanic Rising (42:29), the inspiration of director Stanley Kubrick (49:32), and why she still holds onto hope through these turbulent times (57:50).
For thoughts, reflections, and guest suggestions, drop me a line at [email protected].
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0:00.0 | Pushkin. This is talk easy. I'm standing for go-songwriter Wise Blood. About a year ago she released her fifth |
0:47.4 | record entitled and In the Darkness Hearts to Glow. It came out through the label Subpop. It's a second installment in her foreboding |
0:56.2 | trilogy which began back in 2019 with her hit album, Titanic Rising. If that record waited through feelings of impending doom, |
1:05.7 | hearts aglow seems to be set in the aftermath of catastrophe. |
1:09.7 | When there's friction in the world, she said in this conversation, that's when the songs come out. |
1:16.0 | And so with that guiding statement in mind, I thought it would be a good time to sit with |
1:20.4 | wise blood and discuss her prescient music, which she's been performing around |
1:25.3 | the globe over the past year. |
1:27.6 | We also discussed growing up at a household of Christianity and rock and roll, the influence of Nico and Sonic Youth and how she |
1:35.2 | charted her course in what seems to be a precarious ever-changing music industry |
1:41.0 | and a kind of prologue for this new record, she wrote that the song, some of which |
1:46.2 | you're about to hear, attempt to find meaning in a time of instability and irrevocable change. |
1:52.6 | Looking for embers, she wrote, where fire used to be. |
1:57.4 | And those lines have stayed with me this past week, and it felt like that's exactly what we need today and in the weeks ahead. |
2:08.5 | So I hope you enjoy this special conversation. |
2:12.3 | I hope you enjoy the music, whether you've heard it before or it's the first time. |
2:16.6 | Natalie, who goes, of course, by Wiseblood, is one of my favorite living musicians trying to make music about this moment, |
2:26.7 | which is confusing and difficult and painful, |
2:29.7 | and yet her work continues to meet the moment in ways few other musicians do. |
2:37.6 | That's all coming up next with our guest, Wise blood. You're going to be here. Hey Natalie. |
3:13.2 | Hi, Hi Sam. |
3:14.2 | Welcome to the podcast. |
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