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Recotopia

SinCast - THE BANISHING INTERVIEW

Recotopia

CinemaSins | Chris Atkinson & Jeremy Scott

Tv & Film, Film History, Film Reviews

4.61.2K Ratings

🗓️ 2 November 2021

⏱️ 38 minutes

🧾️ Download transcript

Summary

SinCast sits down with Director Christopher Smith to discuss his new movie, The Banishing. Christopher talks about shooting horror films taking place during WWII, working with unpredictable actors and so much more on a brand new SinCast! THE BANISHING will be available on VOD, Digital, DVD and Blu-ray on Tuesday, Nov. 2. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Transcript

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0:00.0

CinemaSense has a fan club. It's called The Sin Club and members get all sorts of things like

0:04.9

early episodes, bonus videos, merch discounts, and even monthly bonus podcasts. Membership starts

0:10.5

at $3 a month and you can sign up now at patreon.com slash cinemaSense.

0:30.2

Welcome to Sincast, presented by CinemaSense.

0:46.8

All right everybody, welcome to The Sincast. This is Chris Atkinson from CinemaSense,

0:50.8

joined by Jonathan Watkins. Hello, hello. And today we have a very special guest,

0:55.6

its director, Christopher Smith, who's movie The Banishing, comes out on VOD and Digital on November

1:01.8

2nd. Christopher, welcome. Hello. Thanks for having me. Yeah, absolutely. Thanks for coming on.

1:09.6

I was wondering, how did you get involved with this project? It was about three years ago. I was

1:15.7

just finishing off, I was trying to raise money on another film, which I'm now shooting.

1:21.1

And we just couldn't get the script where we wanted it. And then someone said that there's

1:26.0

this film, it's I think you might like it. And so it started that way. It was definitely more of a

1:31.2

traditional ghost story based upon the Harry Price hauntings that at the time was a story

1:40.3

that's quite familiar in the UK. I was more intrigued by the period. I was intrigued by the

1:47.5

fact the film was set in the 30s and felt that because of the whole rise of fascism and also

1:55.2

with what was going on politically in the world at the time, in America and both here with Brexit,

2:00.7

I just wanted to, I just didn't like the idea of making a film about the works from the

2:05.8

premise of the good old days, the good old days of the UK. And when in actual fact, it was a

2:13.3

period of, you know, judgment, it was a judgmental period. It was the rise of fascism happening.

2:19.6

It was one of the darkest periods. But for some reason, which shows like Downton Abbey and everything,

2:24.1

you end up with this kind of very vanilla kind of world view of what was actually a terrible period.

2:31.9

And it's why we, you know, I just have no idea why we keep coming back to these stories and

...

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