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Hello, Gary.

Hello, Guy.

I saw the Elvis film.

Epic.

Have you seen that?

Yes.

So you've seen that, but you haven't seen the McCartney film.

I've seen the McCartney film.

So we can either be competitive here and talk about the two films that the other one hasn't seen.

Talk about both. So I, first of all, I went to see Epic and I was utterly blown away by the whole

thing. I kind of missed Elvis, as a lot of my generation may well have done, you know, that early 70s thing of where he's stuck

in Vegas and he's playing endlessly and he's growing fat. And I sort of ignored it, to be honest,

you know, I got the kind of early stuff, you know, obviously, but I never bought the records. I

never bought into it. But, you know, I was doing Bowie and I was doing all the other things he'd

do in the early 70s. But the band know, I was doing Bowie and I was doing all the other things he'd do in the early

70s. But the band that he has, he is so beautiful, he is so handsome, he is so charismatic,

his voices out of this world. The rehearsal shots of him and playing, you know, with James

Bert and Jerry Sheff and Ronnie Tut, you know, are just some of the best musicianship I've ever heard.

The choice of songs he uses, you know, I mean, you know, there's great big ballads that he sings and how he presents that at the,

basically, Baz Luhrman has found all the footage from the International Hotel 1970 and a bit more. And he's, he's, he's,

...