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There were three ordinary women on what seemed like a simple mission to find a film they liked.

One where women got something to do and not just look pretty or be murdered,

which to be totally honest has complicated matters, abit. Welcome to flicking. Yes, it sounds

a bit rude. That's the joke. Hello and welcome to August, no July. Welcome to Hannah's state of mind.

Hello and welcome to July's flicking, our monthly podcast in which we

I don't know judge each other on the Aquilm choices. Although to be fair,

it's usually a lot more civilised than that. Joining me as Edward, Yosera Osman. Hello.

And making the choice this time. Mickey Doughnut. I'm in the hot seat. Hello. What did you make

as watch? This month, I picked cinematic game changer who framed Roger Rabbit. For my money,

one of the best films of the 1980s, possibly one of the best films of all time. Duffy and Donald,

Bugs and Mickey, Eddie and Roger together at last. Now then, as repeatedly demonstrated on this

podcast, I, Michaela Louise Nounon, and a woman who bloody loves a movie. And Roger Rabbit is definitely

a movie, but it is one with huge technical merit as well as being a wildly entertaining,

exhilarating and clever narrative. For the uninitiated, what the fuck are you playing at?

Why have you watched it? Roger Rabbit seamlessly fuses live-action film and animated characters

in a tightly-structured, classical noir script absolutely packed with gags. Boundaries,

pla, genres, inner blender, director Robert Zemeckis, through the rules out and everything in to

make a true original. Loosely based on Gary K. Wolves 1981 novel who censored Roger Rabbit,

...