There were three ordinary women, on what seemed like a simple mission, to find a film

they liked. One where women got something to do, and not just look pretty or be murdered,

which, to be totally honest, has complicated matters, abit. Welcome to Flicking. Yes,

it sounds a bit rude. That's the joke.

Hello, and welcome to this month's Flicking. Our monthly take on one of our favourite films.

One of us picks their favourite film, the other two, either piss on it or declare it an absolute winner.

The two potentially pissing this month are me, Mickey Nguyenin, and Yossera Osman, Yossi, hello.

Hello Flickers. Well, that's rude. And the woman putting one of her favourite films on the line

is the Hannah Dunneeby. Hey, Hannah. Sorry. Hello. Hello. Hello. We're going to cut that

bit. Hello, coughing movie cut out. I'll try to keep it in. I've had Cava, but everybody knows that.

So I think there will be less pissing in this one, because I kind of know, but I don't know. I've

got myself near a dry stone wall just in case the need takes me. This month we watched God's

own country, Francis Lees' debut film released in 2017. Why do I love it? Well, because I love

everyone in it, but I especially love Ian Hart and Yorkshire and Baby Lands and gay romance.

And I think it's really astute, and it manages to say a lot of stuff about a lot of stuff,

despite huge chunks of it taking place in complete silence. I'm going to do a little bit of a plot

for anyone who hasn't seen it, but as I always say here, if you haven't seen it, stop listening

to this and go and watch it. John Saxby, who is played by the crown's Josh O'Connor,

is trying to run his family's Yorkshire farm pretty much single-handedly. His mum ran off

down south years ago, his dad, who is played by Ian Hart recently had a stroke, which has left him

mostly unable to work, and his grandmother played with a Catherine K. Wood level of worry face by

Gemma Jones. There's between bolicking him for working too hard and bolicking him for not working

...