This is a passenger announcement. You can now book your train on Uber and get 10% back in credits to spend on Uber eats.

So you can order your own fries instead of eating everyone else's.

Trains, now on Uber. T's and C's apply. Check the Uber app. Standard Issue for all women.

Hello Mickey here.

Welcome to a Sunday Chops with a Difference.

As you know, because we have been wanging on about it,

we've been up at the Edinburgh Fringe for a spell.

We're back now and have just about managed to dry out, but while we're up at the

World's Biggest Arts Festival, we also got to see some cracking shows

and chat to the birds behind the stories and in front of the

audience. And so, unlike our usual Sunday focus on one topic, this week we've got

chats with four excellent women for you. I chat to American comedian Natalie Palamedes, winner of

last year's newcomer award and this year on stage as titular character Nate.

Nate is a moustacheo-jung bloke based it in toxic masculinity but trying really hard to do the right thing which

all sounds incredibly earnest when in fact it's an absolute riot of physical comedy with

Palamedi's pushing boundaries all over the shop. Nate is on at the Pleasant's courtyard until August of 26 but the entire run is now

sold out. However, Palomedes is back at London's Soho Theatre in November and

I heartily recommend that you go see her.

Hannah catches up with Ingrid Garner about her play Eleanor Story, an American girl in

Hitler's Germany which is based on Ingrid's grandmother's experiences as a child

when she was forced to move to Nazi Germany and try to fit in as the war broke out around her.

You can find Ingrid in the dining room of the Gildebloon at 1230 p.m. until August a 27th.

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