“Silence Is Not an Option”
The FRONTLINE Dispatch
GBH
4.5 • 1.1K Ratings
🗓️ 30 April 2026
⏱️ 22 minutes
🧾️ Download transcript
Summary
Something to ponder in connection with World Press Freedom Day: If you faced serious punishment for doing your job, would you quit and look for a new one? Or would you continue pursuing your chosen calling?
Releasing in the leadup to World Press Freedom Day, May 3, 2026, this episode of The FRONTLINE Dispatch revisits the reporting at the center of the film The Deal: Trump, Bukele & the Gangs of El Salvador, and explores the risks facing independent journalists.
Among them: The team at the Salvadoran news outlet El Faro, whose work anchors the documentary. In conversation with FRONTLINE Editor-in-Chief and Executive Producer Raney Aronson-Rath, El Faro Editor-in-Chief Carlos Dada reflects on the outlet’s investigation that exposed evidence of negotiations between President Nayib Bukele’s government and gang leaders — and that drew intense backlash.
Dada, now working in exile like much of El Faro’s staff, describes the escalating pressure on his newsroom: accusations from Bukele, surveillance using Pegasus spyware, and sustained harassment of reporters. Despite those challenges, Dada frames the decision to keep reporting as a mission and a mantra: “Silence is not an option.”
The conversation also explores the broader stakes of the film’s reporting — from the history and evolution of gangs like MS-13 to the consequences of Bukele’s sweeping security policies, including mass incarceration under a prolonged state of emergency.
For Dada, the story is not only about his home country, but about the pressure journalists worldwide are under. As governments consolidate power and restrict access to information, he argues, independent reporting becomes both more difficult and more essential — offering verified facts in the face of propaganda and ensuring the public can still scrutinize those in power.
The Deal: Trump, Bukele & the Gangs of El Salvador is available to stream now on FRONTLINE’s website, FRONTLINE’s YouTube channel, the PBS App and PBS Documentaries on Prime.
Transcript
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| 0:00.0 | They're trying to actively form alternative news and they've succeeded. |
| 0:07.0 | That's why all of our society is so polarized. |
| 0:16.0 | From Russia to the Philippines of Venezuela, Frontline has documented the stories of journalists |
| 0:23.0 | under threat and fighting back against regimes trying to silence them. |
| 0:28.1 | Most recently, we worked with Al Faro, a Salvadoran news organization covering corruption, |
| 0:33.7 | gang violence, and abuses of power in El Salvador. Alfaro's reporters were the first to reveal evidence of a pact between the government, |
| 0:42.3 | a president, Naïbe Buckele, and the gangs he was cracking down on. |
| 0:47.3 | That reporting is at the center of our film, The Deal, Trump Buckele and the gangs of El Salvador. |
| 0:53.3 | Part of the deal was to control the inhabitants of the communities, the gangs controlled, |
| 0:59.0 | to vote for Mr. Buckelly. |
| 1:02.0 | And his government have taken a hard line in journalists, calling them liars, harassing them, |
| 1:08.0 | and accusing them of collaborating with the gangs. As a result, Elfaro editor-in-chief Carlos Dada and several members of his team continue their reporting from outside the country. |
| 1:19.6 | Journalism in Exile, my conversation with Carlos Dada. |
| 1:24.6 | I'm Rainy Aronson Roth, editor-in-chief and executive producer of Frontline, and this is the Frontline Dispatch. |
| 1:31.3 | Carlos, welcome to the Frontline Dispatch. |
| 1:37.3 | Thank you, Rainy. |
| 1:39.3 | So, Carlos, it goes without saying that journalism can be a risky career, but I imagine that you didn't expect to be |
| 1:46.5 | exiled from your country. And I'm just wondering, where are you now? And when did you first |
| 1:53.3 | realize that you had to leave El Salvador, or not return, rather? |
| 1:57.9 | I have not decided not to return, really? I think that it is a problem of many, many exiles that we refuse to deny ourselves |
| 2:08.7 | the horizon of going back to our country. |
| 2:12.3 | Right. |
... |
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