Shooting The Shit: About book blurb culture, how to sell a book in a “tough category” and the Anthropic Settlement
The Shit No One Tells You About Writing
Bianca Marais, Carly Watters and CeCe Lyra
4.8 • 842 Ratings
🗓️ 15 September 2025
⏱️ 58 minutes
🧾️ Download transcript
Summary
In this episode of Shooting the Shit, Carly and CeCe tackle some of publishing’s messiest realities with their usual mix of honesty and humor. They dig into the alarming trend of agents offering representation with 24-hour decision windows—and why that’s predatory. The conversation then shifts to the world of blurbs: pre-written pitches, the hidden economy of “I’ll blurb yours if you blurb mine,” and whether blurbs actually help sell books. They also break down the Anthropic settlement, explaining what the $1.5 billion deal really means for authors, AI, and copyright. From there, it’s a hard look at what’s selling, what’s not, and why memoirs and essay collections remain so tough to place. With insights from top editors, they emphasize that it’s not just about having a story—it’s about telling it in a way that stands out. Writers, consider this your publishing reality check and pep talk.
Note: Cece Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.
Find us on our socials:
Threads: https://www.threads.net/@the_shit_about_writing
https://www.threads.net/@biancamarais_author
https://www.threads.net/@carlywatters https://www.threads.net/@cece_lyra_agent
Instagram: https://www.instagram.com/the_shit_about_writing/
https://www.instagram.com/biancamarais_author/ https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/
Facebook: https://www.facebook.com/TSNOTYAW
Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com
Bookshop.org affiliatepage: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting
To sign up for our Substack newsletter, head to https://theshitaboutwriting.substack.com
It’s Beta Reader Match Up time again where you can be matched up with those writing in a similar genre and/or time zone, so they can critique your work as you critique theirs.
For more information and to register, go to: https://www.biancamarais.com/beta-reader-match-
up.html
Sign up for CeCe’s Fall Course:
Writing Tension Creating Tension, Conflict and Stakes in a Story
Read additional insights on Alia Habib’s’ Substack:
https://aliahabib.substack.com/p/tough-categories-five-top-book-editors
Our Sponsors:
* Check out Chime and use my code chime.com/TSNOTYAW for a great deal: https://www.chime.com
* Check out Quince and use my code quince.com/tsnotyaw for a great deal: https://www.quince.com
* Check out Rosetta Stone and use my code TODAY for a great deal: https://www.rosettastone.com
* Check out Wayfair: https://www.wayfair.com
Advertising Inquiries: https://redcircle.com/brands
Transcript
Click on a timestamp to play from that location
| 0:00.0 | What's up everyone? This is Cece. If you're a writer, then chances are you've wondered if your story is good enough. |
| 0:07.1 | Maybe you're wondering that right now. I get it. Here's what I can tell you. As long as your story is making the reader curious, you're good. |
| 0:15.3 | Now, I'm not saying you won't have to make edits when working with an agent or publisher. Edits are a part of the game, but I am saying that you will get ahead in your career |
| 0:24.4 | if you know how to make the reader curious. |
| 0:26.9 | The best way to do that, infuse your story with plenty of tension, conflict, and stakes, |
| 0:32.7 | which is why I'm so excited to invite you to join my four-day course, writing tension, creating tension, conflict, |
| 0:39.3 | and stakes in your story. It starts on October 13. My favorite part about this class is that there |
| 0:46.0 | are formulas, yes, formulas, for tension, for conflict, for stakes. And for the first time ever, |
| 0:53.5 | we're having two optional interactive |
| 0:55.8 | components, including a query letter studio and live critiques of select first pages. I'm super |
| 1:03.8 | excited about this new format because I've seen it yield results in writer's works. And it works |
| 1:09.3 | for writers of any genre as long as you're serious about |
| 1:12.6 | improving your work. So if you're ready to take your writing to the next level, join me for |
| 1:18.4 | this four-day course. Don't worry if you can't attend live. The sessions will be recorded. |
| 1:25.3 | For more information, check out my bio on Instagram or the podcast's website. |
| 1:30.5 | I'm looking forward to seeing you there. Have you been sitting on the fence about signing up for |
| 1:35.6 | the beta reader matchup? Or have you signed up before but haven't as yet found your writing soulmates? |
| 1:41.9 | The next matchup is the last one of the year, |
| 1:44.6 | so don't snooze on it. |
| 1:46.4 | Get matched up with those writing in a similar genre |
| 1:49.1 | and or time zone so they can critique your work |
| 1:52.0 | as you critique theirs. |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from Bianca Marais, Carly Watters and CeCe Lyra, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of Bianca Marais, Carly Watters and CeCe Lyra and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2026.

