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99% Invisible

Service Request #2: Why Is This Red Light So Damn Long?

99% Invisible

SiriusXM Podcasts and Roman Mars

Arts, Design

4.828.1K Ratings

🗓️ 24 March 2026

⏱️ 28 minutes

🧾️ Download transcript

Summary

What the world's most advanced traffic system can—and can't—do for the city that invented gridlock.

Transcript

Click on a timestamp to play from that location

0:00.0

So we are driving around Los Angeles at the best time of day, 5.41 p.m.

0:09.1

Vivian Lay works with me at 99% Invisible, and she's on her way out for after-work drinks at one of her favorite bars in L.A.

0:17.6

And my husband, Cody, is driving us. I'd like to say because I'm recording, but you're

0:25.9

driving me because what? Because you're a passenger princess. That's exactly correct. Some people

0:32.4

enjoy driving. Some people like Vivian really do not. But nobody enjoys being stuck in traffic.

0:41.3

No one's moving.

0:42.4

What are they doing?

0:43.7

I want to burn the intersection of the ground and piss on the ashes.

0:47.2

Oh, my God.

0:48.9

L.A. is famously a car town, known for its endless free ways and its soul-crushing rush hour traffic.

0:56.2

And in a city full of bad intersections, Vivian and Cody are headed towards one that many

1:02.1

consider to be the worst. It's where three roads, Fairfax, Olympic, and San Vicente, all intersect.

1:10.4

I think it's technically called the Fairfax asterisk, but I like to think of it as the

1:16.8

devil's three way because you have this weird triangle in the middle and there are like one, two,

1:22.8

three, four, five traffic lights. To navigate this intersection, Vivian and Cody have to make it through two traffic lights in quick succession, only a couple hundred feet apart.

1:34.1

Oh, God.

1:34.5

Oh, got caught right in the middle of...

1:36.8

Oh, no.

1:38.0

We are stuck in the middle.

1:39.9

They make it through one traffic light, but then gets stopped at the next one.

1:44.1

And now they're stuck right in the middle of the triangle.

1:48.3

Oh, God.

...

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