Sebastian Faulks, author of 'Birdsong' - Bestselling literary writer discusses editing help, being around at the right time, and thinking about each sentence
Writer's Routine
Dan Simpson
4.9 • 599 Ratings
🗓️ 18 September 2025
⏱️ 43 minutes
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Summary
This week we’re joined by the legendary Sebastian Faulks, the bestselling author of 'Birdsong', 'Charlotte Gray', and so many unforgettable novels. In this episode, he opens up about his writing routine, the stories behind his new memoir 'Fires Which Burned Brightly', and what it really takes to create fiction that sticks with readers.
If you've ever wondered where, when and how Sebastian writes bestselling historical fiction, you’ll love this chat.
We discuss the impact of 'Birdsong', and how much it changed his life. Also whether his writing career has lived up to the teenage dream he had of it, and why switching to a computer changed how he thought of sentences. You can hear why he feels lucky to be published at this time, why he's surprised that other people don't always understand what writing is, and why being logical is often where you can stumble.
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Transcript
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| 0:00.0 | Hello, welcome to a brand new episode of writer's routine. |
| 0:12.3 | This week, we're chatting to Sebastian Folks, one of the biggest names in literary fiction across the world. |
| 0:20.5 | Birdsong launched him to success and he's back with |
| 0:23.9 | a memoir, fires which burned brightly. And you can hear whether being a novelist has lived up to the |
| 0:29.8 | dreams that he had growing up. Also, why writing a novel is a lot like getting a puzzle done. |
| 0:36.2 | It's very much like doing a crossword actually. |
| 0:38.3 | Sometimes with a cryptic crossword, you look at the clue and there are, you know, |
| 0:43.3 | there are three parts of the clue and one answer, and you really work at it inductively, logically, and so on and so forth. |
| 0:50.3 | And eventually you crack it, so you're like a code breaker but then you get stuck |
| 0:56.7 | halfway through and you go away and think about something else and you come back and the six |
| 1:01.7 | clues in the cross world which completely flummoxed you in the morning you look at them and say well it's |
| 1:06.1 | obviously it's constabulary isn't it or it's heads down or you know it's it's just obvious from the shape of the word, and you know, just click, click, click. It's just because your brain has sort of reset itself at a slightly different angle. And we run through how he's changed the way he plans his books through the years. Every book is different. Every book you start. It's as if you've never written one before really. You think, God, how do I do |
| 1:28.3 | this? And I mean, I used to write novels a bit like a sort of school essay. I would have a sort of |
| 1:33.1 | piece of paper beside it with sort of 10 points I was going to cover. And I would sort of work |
| 1:39.5 | methodically and directly through them until I'd finished. And of course, I was then using a typewriter. |
| 1:45.0 | So there would be a pile of paper growing by the side of the typewriter itself. |
| 1:50.0 | And then other times I think of it more like, I think of it more like painting now, really. |
| 1:55.0 | I'll start with a blank canvas and I will start in one area and do something very detailed. and it's only after about a couple of weeks |
| 2:04.5 | I realised that I'm spending all my time on a minor detail which is really of no importance in |
| 2:10.0 | the finished canvas at all. It's all on the way with Sebastian folks in a brand new |
| 2:14.0 | writers routine. |
| 2:26.4 | This week's episode of writers' routine is sponsored by Ingram Spark, who let you publish like a pro. |
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