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Within the Wires

Season 2, Cassette 5: Van Gogh Museum (1977)

Within the Wires

Night Vale Presents

Science Fiction, Fiction

4.62.5K Ratings

🗓️ 31 October 2017

⏱️ 25 minutes

🧾️ Download transcript

Summary

Museum Audio Guide #5: Van Gogh Museum, 1977 Season Two Episode 5 of 10 # Brand new Within the Wires T-Shirts and Posters and a Claudia Atieno art print are now available, withinthewires.com. Music: Mary Epworth, maryepworth.com Written by Jeffrey Cranor and Janina Matthewson. Performed by Rima Te Wiata (as Roimata Mangakāhia). Featuring Lia Albers (as Lia Bakker). Logo by Rob Wilson, robwilsonwork.com Part of the Night Vale Presents network. nightvalepresents.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

Welcome to the Vango Museum. I am Zoe Bacher, Director of Curation.

0:27.8

Through the past two years we have been exploring the early lives of some of the 20th century

0:32.6

most influential artists. Our current exhibition shows the childhood paintings, sketches and

0:39.2

diaries of Claudia Atiano. As part of this ongoing series we have often had the artist

0:46.1

featured comment on their juvenile work but in the case of Atiano that is not possible.

0:51.9

Atiano has not been seen now for some years and while we may never know what happened

0:56.5

to her at this distance of time it seems unlikely that she is still living. The Vango Museum,

1:02.4

along with the wider artistic community, deeply mourns the loss of such an impactful and important

1:08.1

voice. As we can't get comment from the artist herself we have approached her contemporary

1:13.4

and close personal friend Roy Matamanga-Kahia to provide insights to the childhood work of Claudia Atiano.

1:21.0

The exhibit is in the ground floor of the exhibition wing. Follow the numbered signs and

1:26.1

press play whenever you see an audio guide placard and pause after each tone you hear.

1:31.8

We hope you enjoy your visit to the Vango Museum.

1:40.8

It is always interesting to contemplate the art of a child who was destined to become truly vital.

1:47.8

Surely there are key developmental differences between the great artist and the ordinary.

1:53.5

Whether it be their drawing stick figures with arms coming out of their torso or having the

1:58.0

imagination to give their stick figures a pet elephant instead of a dog, however it's debatable how

2:03.4

much we can really learn from this. We must always be aware that no amount of developmentally

2:09.0

advanced childhood scribbles can truly take the place of the years of hard work and dedication it

2:14.5

takes to develop true skill and a genuine artistic voice.

2:20.6

Brilliant is not innate nor is it taught brilliance is wrote. It is tedium it is practice.

2:28.8

You must enjoy what you do or at least tolerate it in order to become great.

...

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