Hey, Peter.

Hey.

What scales would you use over like C minor 7, flat 6 to like F7, alt over a G flat to like a B flat, minor flat 9?

Yeah, I definitely use a C scale over that.

I'm Adam Manus.

And I'm Peter Martin.

Peter Martin in Denver, Colorado.

And you're listening to the You'll Hear at podcast.

Daily Jazz advice coming at you.

Coming at you from two different locations.

Because PM is a globe trotter, world traveler.

Well, and this went so well yesterday. I just decided to stay here another day because, you know, we were having so much fun with this. So I might never come back. Okay. It's not, it's going to be hard, man. It's going to be hard to keep this up from thousands of miles away. We'll give a shot. We'll give a shot. So we have a user question from speak pipe. Someone went to you'll hearat.com and left us a voicemail. Nice. Can you do that? Is that even legal? It is legal. You can go to you'll hear it.com and leave us a voicemail. Do it now. Is that an official invitation to our listeners to do that? It is is uh why don't you uh want you go ahead and

play it okay here we go hi peter and adam i have a question for you with respect to improvisation

when you're improvising over a two five one going to a minor key do you like to use different scales over the two, the five, or the one,

or do you pick a common scale? And if so, which one or which ones do you use? And also,

as a broader question, what strategy do you recommend for someone in the process of learning to improvise?

I realize that you two are very advanced and you probably don't need to write things out in advance

to practice or perform improvisations.

But for us, your earthly, musicians trying to develop those skills.

Do you have any particular recommendations?

Thanks very much.

Thank you, David.

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