Sangfielle 27: The Perpetual Oratorio of Davia Pledge Pt. 5
Friends at the Table
Friends at the Table
4.9 • 2.2K Ratings
🗓️ 23 September 2021
⏱️ 129 minutes
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Summary
This episode carries content warnings for insect infestation of a human body, death, injury that affects motor skills, self-inflicted knife wound, blood, flesh eating creature, human sacrifice, and detailed integration of human and machine parts.
In the dark acreage under Pledge House, Duvall, Lyke, and Virtue confront the unthinkable. But like all unthinkable things, it begs to be thought through, to be considered, to be turned around in one's mind. There, it lashes and grows and reaches, wooing and harming in equal part. Until, finally, the unthinkable isn't. It is instead all that can be thought. It is an identifying scar. It is raw opportunity. It is the only thing that matters.
This week on Sangfielle: The Perpetual Oratorio of Davia Pledge Pt. 5
The Almanac of the Heartland Rider
Places
Sapodilla: One of, if not the, largest city inside of the walls of Concentus. Sapodilla rests on the western shore of the vast lake that takes up much of southeastern Sangfielle, and prizes itself as the rare hub of culture in the bloodfields. In recent years, the powerful witch hunting organization called the Glim Macula has grown in power there, owing to the city's focus on furthering "civilization."
Pledge House: A mysterious manor in Sapodilla's Hibiscus District. Thirty odd years ago, a fire ravaged its attached (and magnificent) concert hall. In two days time, a rebuilt concert hall will host Davia Pledge's grand return to the stage.
Facts and Figures
Lady Zizilliana "Zizi" Esterházy (she/her): Once a well known artist of Sapodilla, Zizi reportedly died during the great fire of Pledge House. According to the book Remembering the Zahir, Lady Esterhazy was the last known owner of the titular Zahir, a painting which supposedly fates the person watching it to develop over time into their apprehension of either the subject of the painting or a striking yet elusive figure in the painting's far distance.
Davia Pledge (she/her): "The mad composer of Sapodilla" who vanished from the public view for decades after the fire of Pledge House. Every year, they say, she invites a select few to a private concert of her newest composition, and getting an invite is either a high honor or a mark of one's own corruption, depending on which aristocrat you ask. In the past year, her name has become widely known not for her concerts, but for "Pledge Cylinders," recordings which produce crisp, beautiful music, though by what devilry it is not known.
Darling Malice (she/her): Once, Darling Malice hunted Virtue Mondegreen across the whole of the heartland. She even managed to kill her. But that didn't stick, it seems. And now, Darling's own ghastly existence is tied to her twice-undead prey's.
Aterika'Kaal (it/its): An ambivalent and ancient spirit. Offers the sweet smell and sublime beauty of roses and the sturdy foundation of a root structure. In exchange: Feed it. Only a small, dangerous
The Ravening Beast (it/its): A howl in the mind of Lye Lyken. A beast on the hunt. It haunts through the course of time, the shape of mind. An echo of a possible future?
Organizations
Glim Macula: Whether Sapodilla looks postcard-perfect to you or if you find yourself looking for a place to spit when someone repeats the claim that it is the "most civilized" corner of the heartland, it is the Glim Macula you have to thank. Empty faces. A flame that burns through you. Witch hunters in white coats.
Hosted by Austin Walker (@austin_walker)
Featuring Sylvi Clare (@sylvibullet), Art Martinez-Tebbel (@atebbel), Keith J Carberry (@keithjcarberry)
Produced by Ali Acampora and Austin Walker
Music by Jack de Quidt (available on bandcamp)
Text by Austin Walker
Cover Art by Craig Sheldon (@shoddyrobot)
A transcription is available for this episode here.
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Transcript
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| 0:00.0 | Songfiel is a series that draws on elements of dark fantasy, horror, and gothic fiction. |
| 0:05.6 | As such, a list of content warnings will always be made available in the episode description. |
| 0:10.8 | At this point, you just to be clear, you can't hear the screaming that was happening from the |
| 0:14.8 | concert hall above. That's good. Yeah, just it's just a little more ease. |
| 0:21.0 | As you open the door, the thing that overpowers you is the same kind of |
| 0:26.5 | cacophony of sounds that you heard, that like heard before. |
| 0:31.6 | Now, with the light of the lantern coming into this door, you can also see the physicality of |
| 0:38.8 | the thing before you. For acres in every direction around this little room that you're in, |
| 0:45.7 | there are machines moving, pulleys raising up and down, strings being bowed with automation. |
| 0:56.3 | It is a massive machine, but it's also with the light now moving through this space. |
| 1:02.7 | You start to see elements of this thing that are not just machine. One of the things that pulses |
| 1:09.2 | is a human heart. There are panels with raining on them, and those panels the canvas is skin-stretched. |
| 1:17.8 | This is a place where the organic remains of people have been interwoven with, again, acres |
| 1:27.7 | of strange machinic being, and it calls you forward. It's doing something. It's not just playing |
| 1:36.8 | music. Help me. What happened to you? I pledged. She invited us. You hear the sound of waves, |
| 1:52.6 | and then you kind of like, there is the sound in the distance of, like, suction. It is beginning |
| 1:58.0 | to swallow the sea. You stop hearing the sound of the waves leave it, and then you realize this is |
| 2:05.3 | happening all around you. It's not just digging out space for itself. It's consuming what's |
| 2:12.7 | around you. Like, you notice this, too, and you remember what you read. You remember what you read? |
| 2:18.5 | About what happened with a god? What's a god? It's like a gas. It fills up whatever container it's in. |
| 2:24.6 | Yeah, it keeps growing, and it will grow for as much as there is to grow, and it's doing that now |
| 2:31.6 | with sapidia. We should get him down. We don't need to be, like, careful about it. |
... |
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