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Diabolical Lies

Sabrina Carpenter & the Politics of Pop Star Sexuality

Diabolical Lies

Katie Gatti Tassin & Caro Claire Burke

Society & Culture, News

4.8 • 607 Ratings

🗓️ 29 June 2025

⏱️ 25 minutes

🧾️ Download transcript

Summary

This is a free preview of a paid episode. To hear more, visit www.diabolicalliespod.com

In this conversation…

When Sabrina Carpenter shared the album cover for her highly anticipated seventh studio album, Man’s Best Friend, the internet suffered an algorithmic nosebleed. An extremely high-stakes cultural debate unfolded: Was the photo (and correspondingly, her entire vibe) supposed to be funny? A form of edgy political satire? Or was Carpenter cashing in on our cultural history of fetishizing domestic violence/pedophilia/women’s suffrage/[insert infuriating clickbait term here]?

In response to the foaming masses, Carpenter released a second alternative album cover — this one “approved by God.” But the question remains: did she do something wrong to begin with?

What do pop stars owe the public, anyways — and what does our seemingly eternal frustration with them say about us?

References in This Episode

It’s not technically true that Sabrina Carpenter “became a pop star” in 2024. She’s been rising and grinding for over a decade now, moving through the Disney Industrial Complex with seemingly tireless pluck: First she starred in Girl Meets World, then she released five studio albums (casual), then she featured as “that blonde girl” in the Olivia Rodrigo diss track heard round the world, and then, finally, she got her big break. Well, technically two big breaks: she opened at the Eras Tour, and then she rebranded herself as a sixties, Bardot-esque character alongside the release of her sixth studio album, Short n’ Sweet.

Boom. A star is born, etc.

…but of course, the rules of stardom are clear: you cannot become a deeply famous, deeply marketable, deeply accessible Female Pop Entity without also becoming vaguely despised by feminists and evangelicals alike. Neat!

Carpenter’s first major foray into controversy happened thanks to this W Magazine photoshoot, which featured Carpenter emulating the visuals of…

Transcript

Click on a timestamp to play from that location

0:00.0

Today's episode of Diabolical Lies is brought to you by Madonna, Bell Hooks, Britney Spears, Diane Sawyer, Rolling Stone Magazine, Taylor Swift, Sabrina Carpenter, Margaret Atwood, and the Disney Industrial Complex for teaching me how to be a woman.

0:14.9

Oh, God.

0:15.4

Katie, I spent the whole weekend, like most Americans, just wondering if we were about to start another

0:21.2

Forever War in the Middle East.

0:22.8

And I just thought, you know what we need to do right now is have a discourse about Sabrina

0:27.0

Carpenter.

0:27.8

So that's by which I mean, the outline was already written by the time all of this happened.

0:34.9

It's like that tweet that's like, Sabrina Carpenter is setting us back.

0:38.8

Bitch, we are bombing Iran right now. Perfect. Okay, thank you. You just tied it together. I actually

0:44.5

was going to figure it out in the fly, but now you just did my work for me. So if you're listening to

0:49.6

this on Apple Podcasts, which I assume most of you are, you might not realize that kind of the real

0:58.0

goodies and the real party are happening over on Substack. So you'll obviously hear the first,

1:03.8

however long of this episode. This is a paid episode for our paid subscribers. But if you would

1:09.3

like to become a paid subscriber, go to

1:11.1

Diabolical Liespod.com, where you can input your email and then sign up for the paid

1:17.3

subscriber plan so you can get full access to all episodes. Yeah, it's going to get juicy

1:22.2

at the end, so you're not going to want to miss it. Katie, what do you know about Sabrina Carpenter?

1:27.1

She came into my awareness because

1:29.3

she was the blonde girl and driver's license. So I will say, my guard was up on Olivia's behalf.

1:37.3

I think she became popular when she opened for Taylor Swift on the heiress tour. That felt kind of

1:42.2

like the moment where she went from being a

1:45.1

little more niche to being like a mainstream pop star. And then she gave us espresso song of the

...

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