S9E05 - Sound + Vision: Album Covers As Marketing, Part Two

Under the Influence with Terry O'Reilly

Apostrophe Podcast Network

Business, Marketing, Under The Influence, Cbc, Society & Culture, Terry O'reilly, Pop Culture, Advertising

4.8 • 627 Ratings

🗓️ 30 January 2020

⏱️ 29 minutes

🔗️ Recording | iTunes | RSS

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Summary

This week, it’s Part Two of our Album Covers As Marketing episode. In the 1980’s, album covers shrunk down for the first time to accommodate CDs. And in the 2000s, the advent of iPods shrunk them again to the size of a postage stamp. Forcing album artwork to become highly creative.

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Transcript

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0:00.0	Did you know that if you subscribe to our But Wait, there's more option, you get a bonus story in every episode of Under the Influence.
0:10.4	But wait, there's more.
0:12.3	For the price of a cup of coffee every month, you get early access, so you hear every episode a full week before everybody else.
0:19.8	Plus, you enjoy that episode ad-free.
0:23.0	Tisk, tisk.
0:24.1	And by subscribing, you support our podcast.
0:28.0	Just go to Apple Podcasts and subscribe to Under the Influences,
0:32.2	but wait, there's more.
0:41.7	This is an apostrophe podcast production.
0:47.2	You're so king in it.
0:52.6	You're loving in an instant.
0:58.5	Your teeth look brighter than no, no, no.
1:06.3	You're not you when you're hungry.
1:11.3	You're a good hands with us.
1:38.6	You're under the influence with Terry O'Reilly. The title of the album was Ladies of the Canyon.
1:44.2	It was Joni Mitchell's third album, and it contained a song called Woodstock.
1:49.2	The song was written 24 hours after the famous music festival had ended.
1:53.0	The lyrics spoke of the spiritual aspect of the gathering,
1:56.7	about hundreds of thousands of people coming together in harmony to remember what was important in life.
2:00.0	The song captured the absolute essence of Woodstock,
2:03.5	which is interesting, because Joni Mitchell wasn't even there.
2:10.5	Joni Mitchell missed out on Woodstock because her manager convinced her
	...

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