Hey everyone, quick reminder that next Tuesday, June 29th, we're premiering my brand new show

Key Notes on Spotify. Key Notes is a unique interactive music show that combines full songs

with my original analysis, and I'm focusing on multiple genres

and artists each episode unified by a central theme. I don't think there's a show like

this in the world and I'm really excited for you to hear it. Follow keynotes right now on Spotify

by using the link in the show notes

and enjoy episodes on Tuesdays beginning June 29th.

This season, we dissected every lyric note and nuance of Connie West Yezes from its innovative

soundscapes, creative samples, and sweeping narrative.

But if we had to boil it down to his core, a one-sentence summary.

Jesus is a story about a heartbroken man whose protective mask of ego and indulgence

erodes to a point he can finally be vulnerable enough to fall in love again.

When the album ends there's tenuous hope Jesus will manage to be happy with the

divine woman God sent as a reward for his arduous journey.

Maybe we could still make it to the church steps, but first you gonna remember how to forget.

But despite its hopeful promise, bound to isn't exactly your stereotypical sappy love song.

It's a complicated messy amalgamation of romance, sex, humor, vulgarity, and ego.

As much as we'd like to believe our anti-hero is finally ready for a relationship, it's still complicated.

This seems to be the reason why it's Jerome, the over-the-top womanizer, who gets the final word on the album. When Konee made Yiziziziz, he was in a house,

what's your mouth,

your mouth,

when Koneh made Yiziziz,

...