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I'm John Batchewis, Sebastian Smee.

His new book is Paris and Ruins Love War and the Birth of Impressionism.

Julie, the daughter, a perfect representation of Bert. And Julie is with her mother at the end,

and her mother rallies herself the last night of her life. I'm following Sebastian's reporting,

to assign paintings to difference of ones of her friends.

And Julie is a miracle that emerges from the Eugene and Barrett marriage. Eugene has died several years before.

And so Julie lives on with the memory of her mother and the friends around her, I think,

is it Renoir that lives well into, one of them lives well into the 20th century.

Yeah, Renoir does.

And you're quite right to say that she's lost because even though I have a cursory education

and impressionism, I never heard her name before.

And now you reassure me that that might be commonplace.

I think it is in many ways.

You know, her name, her full name is Julie Manet, of course, because she, you know, she was the

daughter of Urgen Manet.

But the fact that, you know, they had managed to keep the Manet name in her family, I think, is really telling.

And, you know, she writes an incredibly beautiful letter.

I mean, I still get emotional when I think about it at the end of Bout's life.

...