I'm going to apologize beforehand. I sound nasally because...

Well, you did last week, too. Yeah, I was just going to say. Welcome to SvU Pot, especially heinous. I'm Gabe. I'm Tasha. We are on season six, episode three, obscene. There's a woman lying in the ground dead with, like, blood all over her. A few cops are standing over with a detective. The camera zooms in on the hot guy's face and he says, The perverts at it again. Sirens Blair and Copcar show up with a canine unit and there's like two hot detectives that come out. The dog completely runs past the body and then all of a sudden the body gets up and she's fucking yelling, hey, a bloody corpse over here. This fucking mutt, blah, blah, blah.

And I was like, relax, first of all.

So it turns out this is a crime TV series and they're shooting a scene. Super meta. Yeah. Because I was like, who are these fucking people? Is this a different precinct? So the director yells cut. This dog missed the mark for the scene, obviously. and when the actor drops the leash because he's like,

I'm not the fucking trainer or whatever,

the dog runs over to a trailer and is,

and his... This dog missed the mark for the scene, obviously. And when the actor drops the leash because he's like, I'm not the fucking trainer or whatever, the dog runs over to a trailer and is whining and sniffing at the door. The music gets all swelly, not on the show on the actual show. Yeah. You know what I mean? The SVU swell. SvU swell. Not the pretend TV on the show that's on TV.

No, I think it's trademarked, actually.

I don't think any other show can do that.

I'm pretty sure it's only, only dramatic music. You're fucking Steve Baldwin.

Yeah, it's forgetting Sarah Marshall. Yeah. He's like, point, but a like, dung, dink. He's like, do you need a break? One of the crew members opens the door of the trailer, and there's a fucking woman dead on the floor. She has blood on her and her underpants have been pulled down. Cut to Stabler and Toots are at the crime scene. They speak with the producer of the show,

Franco Marquez. He's been in pretty much every drama police procedural show. I was like,

I know this fucking guy. Why do I know his face? He was in a couple episodes of Dexter and he played

Hector Estrada. He was memorable because he's the drug cartel kingpin who killed Dexter's mom. Oh. The victim's name is Jesse. She's the star of the show, actually. Jesse is wheeled by on a stretcher, and it looks like the part batched her head on the counter and then raped her. She's still alive. And the Emmys think she's going to be all right. Inside the trailer, Stabler and the producer, Franco, discussed the actress Jesse.

She's been on the show for three seasons.

No one has access to her trailer except the crew, and nobody seems to have a problem with her.

Then Toots finds a bunch of tabloids, magazines, and newspapers with mean, hateful, like, slut-shaming

messages and headlines about Jesse.

One newspaper on the front page shows protesters that are anti-Jesse in a headline that says the world would be a better place without Jesse. Stadler thinks it's a bit much, but he's like, I mean, at one point he was like, I mean, she's barely wearing anything. You're like, oh my God, this whole

I know

I know I hated this

episode

...