S3E3: “Oy Wilderness” with Frank Prinzi
Northern Disclosure
Evergreen Podcasts
4.6 • 589 Ratings
🗓️ 23 September 2025
⏱️ 56 minutes
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| 0:00.0 | Hello everybody. Welcome to Northern Disclosure, where my friend and acting professional comrade, he and I, |
| 0:20.0 | Rob Morrow, host this show, Northern Disclosure, |
| 0:24.9 | where we talk about all of Northern Exposure episodes one by one by one. |
| 0:31.0 | And we're thrilled that you're with us today. |
| 0:32.8 | Hello, Rob. |
| 0:34.4 | Hey, Janine. How you doing out there? |
| 0:36.4 | I'm fine. I'm in Texas. Rob's in New York. |
| 0:38.9 | No, no, I'm in L.A. Oh, that's right. You're in L.A. I will be in New York tomorrow, though. |
| 0:45.2 | He's from New York. We're both from, we're actors in New York. But our special guest is from New York today, which is Frank Prenzzi, who is our Emmy Award winning cinematographer for the third season. He was our cinematographer for the third and fourth season. Thrill to have him here, |
| 0:56.0 | he's a really good friend of mine. I was just thrilled he was there with us for episode three and four. |
| 1:00.3 | I think his work was just beautiful. I agree. And don't you remember from the minute he showed up, it was just like, |
| 1:05.5 | I mean, Jimmy was great. I love Jim Heyman and he did a great job. But Frank showed up and he just |
| 1:12.9 | was so sure of what he was doing and he created a new version. You know, he made the show his own, |
| 1:17.3 | which is, you know, what I guess is that that's what you really want from a DP, |
| 1:24.0 | and was such a great presence, always calm and supportive. And then he ended up directing, |
| 1:29.1 | I think it may have been his directorial debut. Yeah, well, ask him about that. I believe it |
| 1:37.1 | may have been. And then he, well, when we do the introduction, I'll say more. But he then was worked on law and order for 57 episodes in New York. So he was a cinematographer for that for 57. And then he directed 34. So he has many, many, many other wonderful, amazing things on his resume, |
| 1:42.0 | which he can talk about with us because we want to talk about the scope of his work. |
| 2:02.0 | Because the minute he arrived, not only did where our lights, where our faces, not lights, |
| 2:05.3 | our faces lit in this beautiful creative manner, but everything lit up behind. |
| 2:10.6 | You can look behind a lamp, this or that. And in my |
| 2:17.1 | opinion, Frank Prinzy was the epitome of God is in the details. And I've worked with other |
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