The steakhouse stack, with two beef paties, crispy onions and peppercorn sauce is the kind of McDonald's you take photos of to put pride of place on the mantelpiece.

Sure you'll need to make room, but you remember what your wedding day looked like.

The steakhouse stack, it's McDonald's and then some.

Available until the 6th of February, sir from 11 a.m. subject to availability,

participating in restaurants only. From Spotify Studios, this is Dissect, long-form musical analysis broken into short digestible episodes.

I'm your host Cole Kishol. Today we continue our serialized examination of Blonde by Frank Ocean.

On our last episode we dissected the first four tracks on the album's second half

noting a sharp contrast in theme, mood, and musical environment

when compared to the warmer more nostalgic qualities of the first half.

This shift in tone continues to gain prominence with the album's next track,

the subject of today's episode, White Ferrari. I'd love to talk on these rides.

Mine on the road.

You're dilated eyes watch the clouds flow white Ferrari White Ferrari is written by Frank Ocean, Malay, and Cony West. Due to the

interpolation of the Beatles song Here, There and Everywhere, John Lennon and Paul

McCartney are also credited writers on the track.

The song's title is a nod to the Italian Sportscar Company Ferrari.

As we've heard in our examination of Blond thus far, cars are a pervading presence throughout

the album. Their presence is a reflection of presence throughout the album.

Their presence is a reflection of Ocean's real life passion for automobiles.

And whereas hip-hop tropes typically find cars used to peacock wealth and symbolize economic status,

cars for Ocean are personal, defining artifacts of different periods in his life,

characters that seem every bit inseparable from Frank's memory as friends and location.

...