To light the fuse, to push the button, to squeeze the trigger.

To squeeze the trigger. Hello and welcome to another episode of Kill James Bond.

I am November Kelly.

I am joined, as always, by my friends Abigail Thorne and Devon.

Hey.

How you doing?

And we watched 1966's Modesty Blaze in the course of finishing out our season of solidarity,

our Eurospy season.

And let me just say, this is gonna be, this is my Zardos.

Like Zardos was already my Zardos, but this is, this is the Nova Zardos, because like, this is,

I saw this movie and for the first half hour, I was like, what the fuck is this, this is, this is the Nova's artist because like, this is, I saw this movie and for the first half hour, I was like, what the fuck is this? This is bullshit. I hate my job. I only do it to pay for my skincare routine. And then for the back hour and a half of it, I was like, this movie is going to be part of my personality forever now. Whereas I had the complete inverted experience, because of the first like 45 minutes

of this, I was just like, oh, this is cool, this rules actually.

And then I was just like, okay, you kinda lost me.

The dialectic that makes the show exciting.

And I'm here.

I had a great time the whole way through.

In a sort of like Hagellian dialectic, the most important thing is that sometimes there's a third person just around.

Yeah, I'm pretty sure he said that, you know?

Yeah, absolutely.

So Modesty Blaze.

What is it?

Thesis, Antithesis, Devin.

...